B. Heather wants to go to the store with us.
C. The car was parked next to the church.
D. Let's walk to the picnic.
Heather wants to go to the store with us is the sentences contains an infinitive. Thus, option (b) is correct.
The verb "to go" in this sentence is an infinitive, which is the basic form of a verb that is preceded by the preposition "to". The direct object of the verb "wants" is the infinitive "to go".
In a sentence, an infinitive may take the place of a noun, an adjective, or an adverb. In this sentence, the infinitive "to go" serves as the direct object of the verb "wants" and acts as a noun.
As a result, the significance of the sentences contains an infinitive are the aforementioned. Therefore, option (b) is correct.
Learn more about on infinitive, here:
#SPJ6
B. Characters dine, drink, and dance.
C. Dark skies and eerie sounds surround the castle.
D. The guards have drunk too much and fallen asleep.
Answer: C. Dark skies and eerie sounds surround the castle.
Explanation: Shakespeare establishes the mood of events in Act II by creating dark skies and eerie sounds surrounding the castle
B. Questions are typically much shorter than statements.
C. Questions don't use pronouns or adjectives.
D. Questions always include a direct and indirect object.
Answer:
A. Questions usually start with a helping verb or adverb.
Explanation:
Grammatically correct questions need to star with either a helping verb or an interrogative adverb and end with a question mark, while statements do not.
A helping verb refers to auxiliary Verbs (To be, to do and to have) and modal verbs (Can, could, may, might, will, would, shall, should), and the interrogative adverbs are why, where, how, when and which. Here are some examples so you can see how they are used:
The answer is A. questions usually start with a helping verb or adverb.
What was once written as monsters in myth are now landmarks or natural structures that are now included in travel guides that attract tourists to visit that particular place. A good example of myth was that of Scylla who was once a maiden but transformed into monster who later became a rock. Today that rock where Scylla sits in myth is now a tourist attraction.
Answer:
Setting
Explanation:
"Setting is an environment or surrounding in which an event or story takes place. It may provide particular information about placement and timing, such as New York, America, in the year 1820. Setting could be simply descriptive, like a lonely cottage on a mountain. Social conditions, historical time, geographical locations, weather, immediate surroundings, and timing are all different aspects of setting."
Reference: LiteraryDevices.com. “Setting - Examples and Definition of Setting.” Literary Devices, 10 Oct. 2017,
2.) Absurdism is the attempt to show the ____ of the human condition.
A) silliness B) seriousness C) uniqueness D) hopelessness
The literary form of satire makes lighthearted observations on weighty subjects. Thus, option A of part 1 is correct.
The endeavor to demonstrate the silliness of the human condition is called absurdism. Thus, option A of part 2 is correct.
Satire makes something, or someone appear silly to humiliate, denigrate, or ridicule its targets.
Satire uses exaggeration, irony, humor, or ridicule to highlight the flaws in human nature and behavior. It has its own genre and is a literary device frequently used to comment on current affairs and politics.
Satire is a genre of writing that exposes the shortcomings, silliness, and vices of a subject or another work. Political, moral, or social commentary is how it is most frequently employed.
A hilarious folly, a lack of good sense or judgment, or the state of being frivolous, trivial, or superficial are all examples of being silly.
Being foolish has another significant advantage besides increasing the enjoyment and humor of events. You become more at ease with who you are as a result. It can be stressful when youngsters see things as serious, official, or measured. Silliness helps alleviate this pressure.
Learn more about satire here:
#SPJ2
1. Satire
2. Silliness.