Answer:
Extra Swimming Time
Explanation: In the most general terms, an incentive is anything that motivates a person to do something.
b. Attention to paragraph organization making sure there is a clear beginning, middle, and end
c. Attention to proofreading issues including spelling, grammar, and punctuation
d. Attention to tone, diction, and sentence construction
The correct option is D
We must bear in mind:
Answer:
Attention to correct citation and use of evidence as well as word choice
Explanation:
b. Surrender
c. Conquered
d. Appeared
A. "Then he lifted his door, a huge stone, and set it in place." (Kline 32).
B. ". leaping up he laid hands on my crew. Two he seized and dashed to the ground like whelps, and
their brains ran out and stained the earth." (Kline 33).
C. “Stranger, you are a foreigner or a fool, telling me to fear and revere the gods, since the cyclops
care nothing for aegis-bearing Zeus; we are greater than they." (Kline 33).
D. "He arrived bearing a huge weight of dry wood to burn at suppertime" (Kline 32).
E. With this he drove the ram away from him out of doors, and I loosed myself when the ram was a
little way front he cave, then untied my men." (Kline 36).
E Those were my words, and this his cruel answer, "Then, my gift is this. I will eat Nobody last of all
his company, and all the others before him." (Kline 34).
Answer:
Hey. Good luck
Explanation:
"Then he lifted his door, a huge stone, and set it in place."
I am not very sure about it
Answer:
Orwell makes extensive use of animal sounds and movements to describe action; his figurative usage turns ordinary description into onomatopoeia. Animal characters are "stirring" and "fluttering" in movement while "cheeping feebly" and "grunting" communications. Old Major, the father figure of the animal's revolution, sings the rallying song "Beasts of England." Orwell describes the answering chorus in a frenzy of onomatopoeic imagery: "the cows lowed it, the dogs whined it, the sheep bleated it, the ducks quacked it." As the ruling class of pigs becomes more human, Orwell subtly drops barnyard verbiage and instead uses "said" for dialogue attributions.
Orwell, in "Why I Write," says he often wrote for political purposes to expose propaganda as well as describe it. "Animal Farm" satirizes propagandized phrases by using extended metaphors to create slogans. For example, "Four legs good, two legs bad" becomes a constantly repeated, ultimately meaningless sentiment. Orwell's characterizing human beings as the metaphoric "Man" creates doctrine such as "Remove Man from the scene and ... hunger and overwork are abolished forever." The animal's former owner, Farmer Jones, becomes an extended metaphor for evil and oppression; if the animals shirk their duties, "Jones will come back."
Personified Rebellion:
When Orwell describes the animal revolution that threatens to overrun England, his figurative language recreates the rebellion and its song as living entities in personification. "A wave of rebelliousness ran through the country," he notes, and the "Beasts of England" ditty "was irrepressible." Humans that hearken to it "secretly trembled, hearing in it a prophecy of their future doom." Orwell even sends his personified tune as an invader into the community at large: "It got into the din of smithies [blacksmiths] and the tunes of church bells." Hammer, anvil or bell, the song persists.
Allusions to Stalin:
Orwell uses allusion to characterize his novel's antagonist as two despots in one. Comrade Napoleon, a Berkshire boar named for French world conqueror Napoleon Bonaparte, occasionally alludes to Joseph Stalin, Russia's totalitarian dictator. The boar maintains vicious dogs as secret police. He attacks the porker Snowball, driving him into exile as Stalin did his former friend and revolutionary supporter, Leon Trotsky. He has a personality cult that cries "Comrade Napoleon [the boar] is always right." He even has a propagandist, the clever Squealer, who, as Orwell notes, "could turn black into white."