Answer:
Layla reacts to hospitalization with disbelief and resistance, while her parents accept the sad fate.
Explanation:
Layla does not accept the compulsory internment that she and her parents are going through and although they decide to settle this destiny in order not to have any more problems, she decides to fight and resist and for this reason, she joins with other people who have been forcibly taken to boarding schools. and creates a resistance group that will fight against ill-treatment, lack of freedom and disrespect for citizens' rights.
The African wild dog, also known as Cape hunting dog or painted dog, is a canine with long legs with only four toes per foot. Different from other ordinary dogs, it has five toes on their forefeet. Its Latin name literally means "painted wolf," which refers to its uneven, mottled fur, which includes the colors: red, black, brown, white, and yellow. The most interesting part of this animal is that each of them has a unique coat pattern, but has identical big, rounded ears.
“What firgurative language is it”
Answer:metaphor
Explanation:
The vampires eyes were burning coals is a comparison of two things without using like or as so it’s a metaphor
Answer:
The figurative language that's being used is: Metaphor
Explanation:
A metaphor is the figure of speech used in order to apply a(n) object or person. In this case, The vampire's eyes were being applied the effect of saying burning coal, bright and red.
The vampire's eyes = The object that is being applied to
Burning coals = The object that was applied to "Vampire's eyes"
A metaphor is basically when you are saying:
Something is something else.
Though similes are similar in a way, they can be different due to how they use it since:
Similes are when you say "Something is or are something else"
If the sentence were provided were a smile it would have been:
The vampire's eyes are like burning coals, bright and red.
The text appears to delve into the emotional and psychological journey of a character named Theobald Jack Pansay, as he recounts some unsettling experiences. The text presents a narrative filled with introspection, observations, and personal experiences, accentuated by descriptions of physical spaces.
The text presents a narrative filled with emotional introspection, observations, and personal experiences of a character named Theobald Jack Pansay. These experiences invoke strong emotional reactions within the character, as evident from terms such as 'dropped it, ashamed', 'deep languor', and 'tears of repentance and sorrow'. The narrative's focus on introspection and the emotional journey of the character is, hence, the evident subject matter.
The scenery and physical settings also play a crucial role in the story, adding layers to the emotional state of the protagonist. Descriptions of spaces like the 'well-house', 'familiar leaves and blossoms', and 'the road full of people' further accentuate the emotional undertones of the narrative. In conclusion, the text appears to be delving into the emotional and psychological journey of a supposedly sane and healthy man who recounts bizarre, unsettling experiences.
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The narrative unfolds around Theobald Jack Pansay's encounter with a ghostly apparition, forcing him to confront past memories and relationships. This occurrence leads him on a journey through various interactions with other characters who influence his understanding of past events.
The extracts narrate a series of events and interactions involving several characters. The protagonist, Theobald Jack Pansay, experiences a terrifying supernatural apparition, forcing him to question his sanity. Through this experience, he uncovers hidden mysteries and forgotten memories. Also notable are the characters of Mrs. Wessington, Kitty, Lucy Dare, Doctor McTeague, and the little old dressmaker who contribute to the storyline. They all influence Pansay's journey of discovery. Throughout these narratives, the themes of lost love, supernatural occurrences, aging, memories, and fear are explored in a Victorian backdrop.
Pansay, a well-educated man, is terrified by the apparition of a woman he once knew, Mrs. Wessington. As he grapples with this experience, he learns more about his past and the influence of other characters such as Lucy Dare, Doctor McTeague, and the little old dressmaker.
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Mary Shelley in 'Frankenstein' warns against meddling with nature by depicting grave consequences for her protagonist who does so. His revulsion at his own creation and the tragic fates of his loved ones underscore this warning. Being part of the romanticism movement also suggests her critique of the damaging effects of industrial development on nature.
Mary Shelley, in her groundbreaking work Frankenstein, conveys the theme that man should not tamper with nature by making her protagonist suffer grave consequences as a result of his meddling. One key detail establishing this is his deep regret and horror at the creature he has created - his reactions express Shelley's warning against crossing natural boundaries. This warning is further emphasized when Frankenstein's loved ones suffer tragic fates as a direct result of his actions, connecting the protagonist's manipulation of nature to immense personal loss.
The romanticism movement, of which Shelley was a part, also provides a wider context to interpret this theme. This movement saw a resurgence of appreciation for the power and beauty of nature, often juxtaposing these against the harsh realities of industrial development - as epitomized in William Blake's depiction of factories as 'dark satanic mills'. Thus, through Frankenstein's tragic tale, Shelley may also be seen as warning of the potential dangers of such industrial 'progress'.
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