Each is the same in general style, the front porch, the gliders, the rest of it. Then suddenly the CAMERA STOPS on the last house in the line. There's a spot light set up on the porch and even in the daylight we can see it shining.
Which element of drama is highlighted in this stage direction?
character
theme
setting
plot
Answer:
setting
Explanation:
Answer:
setting
Explanation:
The key images in the passage are: Gleaming white against the fresh grass outside,
blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling
rippled over the wine-colored rug, making a shadow on it as wind does on the sea
The passage is a vivid description of a room in motion. The author uses a variety of sensory details to create a picture in the reader's mind.
So, from it, one can see that the first sentence sets the scene. The curtains are the first thing that the reader notices, and they are described in great detail. They are "gleaming white," which suggests that they are clean and new. They are also "blowing in at one end and out the other like pale flags," which suggests that the wind is blowing them around.
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The Great Gatsby Close Reading Analysis From Chapter 1Answer Key Nick, the narrator, says this: And, after boasting this way of my tolerance, I come to the admission that it has a limit. Conduct may be founded on the hard rock or the wet marshes but after a certain point I don’t care what it’s founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the “creative temperament”—it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men. 1.Why does Fitzgerald contrast “har
Highlight key images in the passage.
The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.
—The Great Gatsby, F. Scott Fitzgerald
Answer:
gleaming white against the fresh grass outside
blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling
rippled over the wine-colored rug, making a shadow on it as wind does on the sea
Explanation:
''gleaming white against the fresh grass outside'' in describing the image of the windows that are considered as the subject of the sentence. It is describing how the look with adjectives such as gleaming and white and it is describing also how opposite is the grass outside that is fresh.
After that, we can see a description of the breeze and its actions, we can see that it blew curtains and how the breeze did it ''twisting them up toward the frosted wedding-cake of the ceiling''.
The third sentence here is describing the curtains that are making a shadow.
Answer:
The pail was very pale
Explanation:
Answer:
The information given needs to be accurate in order for it to be credible.
Answer:
Explanation:
I hope this helps, let me know if you need clarification on anything!
always watered, fed, guarded, admired,
but harnessed to a pot of dirt
I'd rather be a tall, ugly weed,
clinging on cliffs, like an eagle
wind-wavering above high, jagged rocks.
To have broken through the surface of stone,
to live, to feel exposed to the madness
of the vast, eternal sky.
To be swayed by the breezes of an ancient sea,
carrying my soul, my seed,
beyond the mountains of time or into the abyss of the bizarre.'
What is the theme of identity by Julio Noboa Polanco?
Give 2 evidence, and an elaboration for each evidence, as well as a different poetic device (like simile, metaphor, personification, etc.)
Answer:
How can you learn independence and strength when you are constantly pampered-“harnessed” to the “dirt” because you cannot make it on your own.
Explanation:
Answer:
I have the same thing
Explanation:
O B) She is very self conscious about her appearance.
O C) She is very selfconscious about her appearance.
19.
O A) She said that its only four miles from our office.
OB) She said that it's only four miles from our office.
20.
O A) I asked for a small piece of pie and cake, and ice cream was Daniel's request.
OB) I asked for a small piece of pie and cake; and ice cream was Daniel's request.
21.
OA) The sickly-looking kitten didn't make a sound when I picked it up.
OB) The sickly looking kitten didn't make a sound when I picked it up.
18: A
19: B
20: B
21: A