Answer:
I think it is A.
Explanation:
facet
mandate
pedigree
oracles
effrontery
inexorable
reprisal
rapt
incarnate
genuflect
restitution
trident
gargoyles
exploits
infection
entrepreneur
The external conflict is between Rainsford and General Zaroff. This conflict is most clear when Zaroff is hunting Rainsford. Rainsford, in order to live, must outwit Zaroff. This is obviously a conflict. There was also a lesser conflict as Rainsford resisted Zaroff's efforts to get him to be a hunter.
The internal conflict is within Rainsford as he is being hunted. He is having to fight with himself to keep himself from despairing and giving up. His situation seems hopeless and so it is hard for him to keep fighting for his life.
source: I read the book
Answer:
b
Explanation:
Answer: I want to say c.
Explanation: A foil character is a secondary character in a work of fiction who's used to juxtapose and contrast against another — typically the protagonist. Foil characters are used to highlight specific traits in other characters, or to make another character more believable.
Answer:
Kennedy spoke his famous words, "ask not what your country can do for you, ask what you can do for your country." This use of antimetabole can be seen even as a thesis statement of his speech—a call to action for the public to do what is right for the greater good.
Choose one answer.
a. his own voice and his horse’s neighing
b. wind howling in the bare branches and sleigh bells
c. his own voice and the voice of the owner of the woods
d. harness bells on a horse and wind during a snowfall
A trait of participatory drama is active audience engagement and involvement. In participatory drama, the audience is not merely passive spectators but actively participates in the performance or storytelling.
This type of drama blurs the line between performers and audience members, encouraging the audience to interact with the actors, contribute to the narrative, and even take on roles within the performance.
Participatory drama often involves improvisation, audience interaction, and the breaking of the fourth wall, where actors directly address the audience or invite them to participate in the action. This form of drama fosters a sense of community and connection between the performers and the audience, making the audience feel like an integral part of the creative process and the unfolding story. It can be an immersive and engaging experience for both participants and observers, encouraging a deeper level of emotional and intellectual involvement in the theatrical production.
To know more about participatory drama:
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C.The audience itself is involved in the play in some way