What is a moral dilemma?when a person must make a choice between two options
when a person is forced to choose between family and friends
when a person rejects morals generally accepted by a certain culture
when a person’s morals require taking two or more conflicting actions

Answers

Answer 1
Answer:

Answer:

when a person’s morals require taking two or more conflicting actions.

Explanation:

A moral dilemma is an ethical paradox in which a person´s axiological values present him or her with two options of a conflicting or exclusive nature where both demand satisfaction; that is to say, a person encounters a moment of choice in which he is forced to choose between two options, both of them being moral imperatives, but the person cannot choose one without failing the other.  

Answer 2
Answer: A dilemma is a forced choice between two options.

it's not specified whether it has to be between family or friends.

A moral dilemma is a a forced choice between two options of moral character. (the correct answer is the first one).

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Which question should readers ask before reading the "More than Flavorful" section?

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Please be more specific, I'm not sure what you are asking.

Find TWO examples of ALLITERATION in the text, and quote them here. Remember that alliteration is when the author writes a series of words that begin with the same sound. from the necklace

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where is the text at ???

Is “either” only used with two options?

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Most commonly it is used with only 2, however it is sometimes used for more than 2 options. So basically, you can use it, but it's just uncommon and easier to omit the word completely.

For example:

You can have either 100, 200, or 300 bars of chocolate.
You can have 100, 200, or 300 bars of chocolate.

Whilst either works, it is unneeded.
Not necessarily. One can you either to indicate a similarity to a group. For example:

'None of my friends are going to the party. I'm not gonna go either.'

or you can use either to compare multiple choices...

'She could go left, right or back home. Either way, it seemed Sarah would regret her decision in the morning.

Example of onomatopoeia in the seven ages of man

Answers

Answer:

Whining school boy; sighing like furnace; whistles in his sound

Explanation:

Onomatopoeia is a word that phonetically imitates or suggests the sound that it describes. Examples of onomatopoeia differ depending on the language you are speaking, and they are usually associated with words such as the sounds that animals make (oink, meow, roar, chirp). In The Seven Ages of Man, these are the examples of onomatopoeia that we encounter.

The onomatopoeia used are WHISTLES and WHINING....

How are the poems “The Bridegroom” and “Danny Deever” alike?

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To tell a romantic story, they use dialogues.

Answer:

They both use dialogue to tell a dramatic story.

Explanation:

Got it correct on test

"My reflection in the mirror" which word is unstressed and stressed?

Answers

In sentence stress, you stress the important words. The important words in this sentence are reflection and mirror, so you stress them. You unstress the unimportant words in the sentence like my, in and the. 
Here's the sentence should look like with the stressed and unstressed words:
My reFLECtion in the MIRror.
Other Questions
According to the passage, human herds are all of the following except(A) reprehensible (B) obdurate (C) autocratic (D) self-perpetuating (E) transitory Passage 4. Friedrich Nietzsche, Beyond Good and Evil (Translated by Helen Zimmern) Inasmuch as in all ages, as long as mankind has existed, there have also been human herds (family alliances, communities, tribes, peoples, states, churches), and always a great number who obey in proportion to the small number who command— in view, therefore, of the fact that obedience has been most practiced and fostered among mankind hitherto, one may reasonably suppose that, generally speaking, the need thereof is now innate in every one, as a kind of FORMAL CONSCIENCE which gives the command “Th ou shalt unconditionally do something, unconditionally refrain from something,” in short, “Th ou shalt.” Th is need tries to satisfy itself and to fi ll its form with a content, according to its strength, impatience, and eagerness, it at once seizes as an omnivorous appetite with little selection, and accepts whatever is shouted into its ear by all sorts of commanders— parents, teachers, laws, class prejudices, or public opinion. Th e extraordinary limitation of human development, the hesitation, protractedness, frequent retrogression, and turning thereof, is attributable to the fact that the herd-instinct of obedience is transmitted best, and at the cost of the art of command. If one imagine this instinct increasing to its greatest extent, commanders and independent individuals will fi nally be lacking altogether, or they will suff er inwardly from a bad conscience, and will have to impose a deception on themselves in the fi rst place in order to be able to command just as if they also were only obeying. Th is condition of things actually exists in Europe at present—I call it the moral hypocrisy of the commanding class. Th ey know no other way of protecting themselves from their bad conscience than by playing the role of executors of older and higher orders (of predecessors, of the constitution, of justice, of the law, or of God himself), or they even justify themselves by maxims from the current opinions of the herd, as “fi rst servants of their people,” or “instruments of the public weal.” On the other hand, the gregarious European man nowadays assumes an air as if he were the only kind of man that is allowable, he glorifi es his qualities, such as public spirit, kindness, deference, industry, temperance, modesty, indulgence, sympathy, by virtue of which he is gentle, endurable, and useful to the herd, as the peculiarly human virtues. In cases, however, where it is believed that the leader and bell-wether cannot be dispensed with, attempt after attempt is made nowadays to replace commanders by the summing together of clever gregarious men. All representative constitutions, for example, are of this origin. In spite of all, what a blessing, what a deliverance from a weight becoming unendurable, is the appearance of an absolute ruler for these gregarious Europeans—of this fact the eff ect of the appearance of Napoleon was the last great proof. Th e history of the infl uence of Napoleon is almost the history of the higher happiness to which the entire century has attained in its worthiest individuals and periods.