Which type of narrator has full knowledge of only one character, rather than all the characters? 1.First Person
2.limited Third-Person
3.Omniscient third-person

Answers

Answer 1

Answer: It is a "limited Third-Person" type of narrator who has full knowledge of only one character, rather than all the characters, since they have no way of seeing other events outside of their own.

Answer 2

Answer:

Answer:

limited third person that will be a fact

Explanation:

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Adapted from Wild Western Scenes: A Narrative of Adventuresby J. B. Jones

"Do you see any light yet, Joe?"
"Not the least speck that ever was created, except the lightning, and it's gone before I can turn my head to look at it."
The interrogator, Charles Glenn, reclined musingly in a two-horse wagon, the canvas covering of which served in some measure to protect him from the wind and rain. Joe Beck was perched upon one of the horses, his shoulders screwed under the scanty folds of an oil-cloth cape as the team plunged along in a stumbling pace. Their pathway, or rather their direction, for there was no beaten road, lay along the northern bank of the "Mad Missouri," some two hundred miles above the St. Louis settlement. It was at a time when there were few men in those regions save trappers and traders.
Our travelers had been told in the morning, when setting out from a temporary village which consisted of a few families, that they could attain the desired point by making the river their guide, should they be at a loss to distinguish the faintly-marked pathway that led in a more direct course to the place of destination. The storm coming up suddenly from the north, and showers of hail accompanying the gusts, caused the driver to incline his face to the left. The drenched horses, similarly influenced, had unconsciously departed far from the right line of march. Now, rather than turn his front again to the pitiless blast, which could be the only means of regaining the road, Joe preferred diverging still farther, until he should find himself on the margin of the river, by which time he hoped the storm would abate.
At all events, he thought there would be more safety on the beach, which extended out a hundred paces from the water, among the small switches of cotton-wood that grew thereon, than in the midst of the tall trees of the forest, where a heavy branch was every now and then torn off by the wind, and thrown to the earth with a terrible crash. Occasionally a deafening explosion of thunder would burst overhead; and Joe, stretching himself on the neck of his horse, would, with his eyes closed and his teeth set, bear it out in silence.
9
Which sentence best describes the setting?
A.
a remote forest on a stormy night
B.
the broad beach along a riverbank
C.
the inside of a canvas-covered wagon
D.
a village made up of a few families

Answers

Final answer:

The setting of the text from 'Wild Western Scenes: A Narrative of Adventures' by J.B. Jones is best described as 'a remote forest on a stormy night' which is referenced in option A.

Explanation:

The best sentence that describes the setting of the text adapted from Wild Western Scenes: A Narrative of Adventures by J.B. Jones is option A: 'a remote forest on a stormy night'. In the provided passage, the story takes place along the northern bank of the 'Mad Missouri,' two hundred miles above the St. Louis settlement, during a stormy night, with the main characters struggling against wind and rain. The setting includes the inside of a canvas-covered wagon (C) and the narrative also mentions a village (D) from where they started their journey, however, the most prevailing setting, in terms of the narrative’s mood and the characters' current circumstance, is the stormy, remote forest (A).

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Answer:

a. remote forest on a stormy night

Explanation:

A postulate is a statement requiring proof.true or false

Answers

A statement we accept without proof is called a postulate. It is also known as an axiom. These are rules which are accepted to be true without any evidence that will prove these. For instance, the postulates in the kinetic molecular theory.

What is the theme of this chapter? the giver chapter 12

Answers

Answer:

Jonas wonders why the community would want to get rid of the color red, which is so beautiful. The Giver responds that the community had to give up some things in order to gain control of others. When Jonas says that the community should not have made such a choice, The Giver tells him that he is gaining wisdom.

Explanation:

You would use quotation marks to punctuate the title of

Answers

You would use quotation marks to punctuate the titles of the following: short works, sections of long works such as chapters, articles, songs, poems, short stories, short films, essays, or any other works of a collection, and individual episodes of movies and television shows.

Answer:magazine article

Explanation:

Which of the following sentences has problems with misplaced or dangling modifiers? Check all that apply.

A. After reading the whole book, the plot seemed a little thin.
B. After he finished dinner, Raul turned on the tv.
C. The firefighter rescued the women in a blue nightgown.
D. Jim spotted an eagle as it flew over the Grand Canyon.

Answers

So first things first: we need to find the subject of each sentence, and then we need to find what the modifier of that subject is. To find the subject, we need to ask this question: who or what is doing the action here? In other words, who or what owns the sentence's verb? I've underlined the verb:

A) "the plot" is the subject (because it's the thing that "seemed a little thin")
B) "Raul" is the subject (because he's the one who "turned on the tv")
C) "The firefighter" is the subject (because she's the one who "rescuedthe woman")
D) "Jim" is the subject (because he's the one who "spotted an eagle"

Now that we know the key parts of the sentence (the subject and the verb), we can start to pick out the modifiers. A modifier is a group of words that describes something else in the sentence. The thing a modifier describes doesn't have to be the subject, but knowing the subject and verb can help us understand if a modifier is used correctly.

Let's look at A. We know "the plot" is the subject and that the plot already has a verb: "seemed." The modifier is "after reading the whole book," since this is a phrase that wants to tell us more about the person who read the whole book. But that person isn't mentioned in the sentence, so the modifier is accidentally describing "the plot," since "the plot" comes right after the modifier. That means that this sentence is telling us that the plot read the whole book. But plots can't read! So this is a misplaced modifier. To fix it, we'd need to say something like, "After reading the whole book, Billie thought the plot seemed a little thin."

B is fine, because "after he finished dinner" describes Raul, who is definitely the one who finished dinner.

C is tricky, though. Who is the one wearing the blue nightgown? Is it the firefighter or the woman who was rescued by the firefighter? Logic tells us that the rescued woman was wearing a nightgown, but the grammar of the sentence does not tell us that. So C has a misplaced or ambiguous modifier.

Finally, D is fine. We know that "flew over the Grand Canyon" can only descirbe the eagle, since we're told that it flew over the canyon. If it had said "Jim spotted an eagle as he flew over the Grand Canyon," then we wouldn't know, grammatically speaking, if it was the eagle or Jim who was flying.

At the beginning of Old Man and the Sea, how many days had the old man been without a fish? a 32 days
b 84 days
c 6 days
d 2 months