Answer:
Mustafa is an excellent long-distance runner, and he won the race last weekend.
Explanation:
The author claims in the excerpt that antislavery rhetoric in the late eighteenth century was based on:
The belief that emancipated people would not be a presence in society.
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The complete excerpt for this question can be found attached below:
B. You're generating words that suggest possible themes for an essay.
C. You're generating words that suggest possible sentences or paragraphs.
D. You write down words or ideas that occur to you in no particular order.
Answer:
Orwell makes extensive use of animal sounds and movements to describe action; his figurative usage turns ordinary description into onomatopoeia. Animal characters are "stirring" and "fluttering" in movement while "cheeping feebly" and "grunting" communications. Old Major, the father figure of the animal's revolution, sings the rallying song "Beasts of England." Orwell describes the answering chorus in a frenzy of onomatopoeic imagery: "the cows lowed it, the dogs whined it, the sheep bleated it, the ducks quacked it." As the ruling class of pigs becomes more human, Orwell subtly drops barnyard verbiage and instead uses "said" for dialogue attributions.
Orwell, in "Why I Write," says he often wrote for political purposes to expose propaganda as well as describe it. "Animal Farm" satirizes propagandized phrases by using extended metaphors to create slogans. For example, "Four legs good, two legs bad" becomes a constantly repeated, ultimately meaningless sentiment. Orwell's characterizing human beings as the metaphoric "Man" creates doctrine such as "Remove Man from the scene and ... hunger and overwork are abolished forever." The animal's former owner, Farmer Jones, becomes an extended metaphor for evil and oppression; if the animals shirk their duties, "Jones will come back."
Personified Rebellion:
When Orwell describes the animal revolution that threatens to overrun England, his figurative language recreates the rebellion and its song as living entities in personification. "A wave of rebelliousness ran through the country," he notes, and the "Beasts of England" ditty "was irrepressible." Humans that hearken to it "secretly trembled, hearing in it a prophecy of their future doom." Orwell even sends his personified tune as an invader into the community at large: "It got into the din of smithies [blacksmiths] and the tunes of church bells." Hammer, anvil or bell, the song persists.
Allusions to Stalin:
Orwell uses allusion to characterize his novel's antagonist as two despots in one. Comrade Napoleon, a Berkshire boar named for French world conqueror Napoleon Bonaparte, occasionally alludes to Joseph Stalin, Russia's totalitarian dictator. The boar maintains vicious dogs as secret police. He attacks the porker Snowball, driving him into exile as Stalin did his former friend and revolutionary supporter, Leon Trotsky. He has a personality cult that cries "Comrade Napoleon [the boar] is always right." He even has a propagandist, the clever Squealer, who, as Orwell notes, "could turn black into white."
She took a deep breath, closed her eyes, and stepped off the high diving board.
Toby designed the set Ruby made the puppets, and I wrote the story.
Frankly, I thought the story was boring silly, and a complete waste of time.
Josh put hay grain, and containers of water in the truck.
Question 10. 10. Which choice has no errors in punctuation? (Points : 3)
She had bought a frame for the photograph, but the frame was too big.
Tina hadn’t practiced all week yet she played beautifully.
The driver may have taken a wrong turn or he may have been delayed.
They had met when they were four so they had known each other for 30 years.
Question 11. 11. Which choice has no errors in punctuation? (Points : 3)
The bright, colorful curtains let in plenty of light.
You can clean your room rake the yard or help me with the car.
Underneath the rug in the front room, was the entrance to the basement.
While the pizza was baking we checked the mail.