Answer: A sentence with two or more main clauses and one or more subordinate clauses is a compound-complex sentence.
Explanation: A compound-complex sentence is a long sentence that joins two types of sentence: compound sentences and complex sentences. In that way, a compound-complex sentence includes two or more independent clauses and one or more dependent clauses. Independent clauses, which can stand alone as complete sentences, are joined by means of a coordinating conjunction, while dependent clauses, which do not express full ideas, are introduced by a subordinating conjunction. One example of compound-complex sentence is "Although we left the house early, we could not arrive to the concert in time, and we had to return home".
b. a metaphor.
c. a couplet.
d. a simile.The line "I wandered lonely as a cloud" is an example of:
d. a simile.
This is a simile because it uses "like" or "as", where as metaphors compare two unlike things without using like or as. A simile compares to unlike things using like or as. An alliteration is the use of the same letter. I.E. Sally sells seashells by the seashore.
Answer: simile
Explanation: simile uses the words like and as to contrast
The witches say the weather is both good and bad
Answer:
Explanation:
The Elizabethans invested deeply into the social class structure. Since the whole society was designed around this it was a sound method for controlling the populace.
The Elizabethans saw social class and status as indicators of moral character and divine favor, providing society with a sense of stability and predictability. Each social class had specific roles and responsibilities, influencing Elizabethans' lifestyles.
The Elizabethans believed in a hierarchical social order, as they believed this order was divinely ordained. Social class and status were seen as indicators of a person's moral character and divine favor. Those of higher status were thought to be morally superior and closer to God, while those of lower status were seen as morally inferior.
The belief in this social order gave Elizabethan society a sense of stability and predictability. Each social class had their own specific roles and responsibilities, and people were expected to behave according to their social status.
This belief had a profound impact on the way Elizabethans lived their lives, influencing everything from their relationships and career choices to the clothes they wore and the food they ate.
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Plato never dealt with aesthetics as such, since art theory never figured among its investigations; but in La República and La Leyes he did refer many times to the problems of art and beauty. Aesthetic questions are intertwined in their thinking with metaphysical and ethical, which influence the former. In their texts, for the first time, beauty and art were included in a great philosophical, idealistic, spiritualist and moralistic system.
For Plato the proof of the existence of beauty is an innate sense of the beautiful, and not an ephemeral feeling of pleasure. To understand us: not everything we like is beautiful really, sometimes it just appears. There is a true beauty opposed to an illusory beauty.
The capture of the beautiful is for Plato a particularity of man that manifests our kinship with the gods.
Assuming (although enlarging) the Pythagorean conception of beauty as order, proportion and harmony, he censured the Athenian art of his time, considering that he had lost the measure and distinguished between good art (the one based precisely on the measure) and bad art. (the one supported by the sensory and emotional reactions of men), because he did not consider the beautiful forms superior to the content.