Which sentence has two antecedents and one pronoun?Laurie likes to bake in her new oven.
Cody and Aleena sold their car.
My school does not have an October break.
His tie does not match his shirt.

Answers

Answer 1
Answer: The second one. Cody and Aleena are the antecedents and their is the pronoun referring back to them.
Answer 2
Answer:

2.Cody and Aleena are the antecedents and their is the pronoun referring back to them.


Related Questions

What does the process of analysis do?A. It takes things apart and looks at the components.B. It takes something that already exists and revises it in new form.C. It details the steps of a process.D. It explains the origins of a concept or theory.
In "The Minster's Black Veil," after permanently adopting his black veil, Mr. Hooper
Select the best analogy.cerebration : thought :: A. effrontery : respect B. manacle : hand C. oration : speech D. corporeal : mental
Which element must and effective wartime speech have a) rehearsed physical gestures b )well placed metaphors c) focus on the positive d) strategic use of audience appeal
Direction: Read each statement and then circle whether it is a Fact or Opinion. explain your answer.1-Michael Jordan has a career average of 30.4 points per game. 2-George Washington was the first President of the United Stated under the Constitution. 3-Michael Jordan is the greatest basketball player of all time. 4-There seems to be too much standardized testing in public schools. 5-It is wrong for people under the age of 21 to drink alcohol. 6-Sister Carrie was written by Theodore Dreiser. 7-Lord of the Rings: Return of the king won eleven Oscars (Academy Awards). 8-The television show The Simpsons is just not as funny as it used to be.

Which word is an interjection commonly used in advertising

Answers

An interjection can be a remark such as an exclamation. For example; Holy cow! Gee whiz! etc. One that I see often in commercials or advertisements is "Savings!" or "Great Deals!"
I think the answer you are looking for is Persuade thats in every advertising because they aren't going to tell you a story they want you to buy or try out their product they are showing. 

Distinguish the difference between proofreading and editing. proofreading is scanning, editing is a closer read proofreading requires a professional, editing does not proofreading corrects typos and spelling while editing examines structural errors proofreading examines structural errors and editing corrects typos and spelling

Answers

Explanation:

proofreading corrects typos and spelling while editing examines structural errors

Answer:

The correct answer is proof reading is corrects typos, and spelling while, editing examines structural errors.

Explanation:

I did this on an assignment and I got that one right. I hope that I helped.

Please mark me brainliest...?

The base word of uncomfortable is.......

Answers

Comfort 

Uncomfortable comes from comfort 

Humanists believe that A. humans and animals existed on the same level.
B. life on earth is important in its own right.
C. love is an illusion.
D. Shakespeare didn't actually write the plays we think he did

Answers

Humanists believe in life on Earth, which is important in its own right, they believe that we have only one life, hence option B is correct.

Who are Humanists?

Humanists take the stands for human rights, free speech, progressive policies, and democracy. They highly valued life, generally human life, which is why they knew that people would become the center of attention for artists and philosophers.

They believe that we have only one life, that we evolve during this life, parallel with the rest of the natural world, to stay on planet Earth, and that we are only responsible for looking after it.

They suggest the theory that experience and evidence are the best ways of finding out about the universe and the world around us, not "faith".

Therefore,  life on Earth is important in its own right and is the correct option.

Learn more about Humanists, here:

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      Humanists believe that life on earth is important in it's own right, so B. I hope this helped :)

According to this excerpt from "I Wandered Lonely as a Cloud" by William Wordsworth, what does the speaker do when he is in a reflective mood?The waves beside them danced, but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

A. He gets melancholy about his life situation.
B. He thinks of the scene described in the poem.
C. He reads to escape from the din of city life.
D. He writes as a release from his worries and fears.

Answers

The correct answer is B.

When the speaker is in a reflective mood, he thinks of the scene described in the poem. He says that he could not be anything but happy when thinking of them.

He also says that when he is lying on his couch in a pensive (or thoughtful) mood, they -- meaning the daffodils -- "flash upon that inward eye." He is describing himself thinking of the daffodils, the thought of which fills his heart with pleasure.

Answer:

it's  B. He thinks of the scene described in the poem.

Explanation:

i got it right

Which statement tells where a paragraph break should be in this dialogue? "Would you mind dropping this in the mailbox on your way home?" the woman asked. "No problem, Mrs. Daniels," the boy said. "I'd be happy to do so."

A.
A paragraph break should come after the word asked and after the word said.

B.
A paragraph break should come after the word asked.

C.
A paragraph break should come after the word said.

Answers

B. A paragraph break should come after the word asked. Each time a new person starts speaking is a new paragraph.
Other Questions
In line 8, “theirs” refers to(A) innumerable cigarettes(B) a laburnum’s blossoms(C) a laburnum’s branches(D) Persian saddle-bags(E) birds’ shadowsPassage 7. Oscar Wilde, Th e Picture of Dorian GrayTh e studio was fi lled with the rich odour of roses, and when the light summerwind stirred amidst the trees of the garden, there came through the open door theheavy scent of the lilac, or the more delicate perfume of the pink-fl owering thorn.From the corner of the divan of Persian saddle-bags on which he was lying,smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton couldjust catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum,whose tremulous branches seemed hardly able to bear the burden of a beautyso fl amelike as theirs; and now and then the fantastic shadows of birds in fl ightfl itted across the long tussore-silk curtains that were stretched in front of the hugewindow, producing a kind of momentary Japanese eff ect, and making him thinkof those pallid, jade-faced painters of Tokyo who, through the medium of an artthat is necessarily immobile, seek to convey the sense of swiftness and motion. Th esullen murmur of the bees shouldering their way through the long unmown grass,or circling with monotonous insistence round the dusty gilt horns of the stragglingwoodbine, seemed to make the stillness more oppressive. Th e dim roar of Londonwas like the bourdon note of a distant organ. In the centre of the room, clampedto an upright easel, stood the full-length portrait of a young man of extraordinarypersonal beauty, and in front of it, some little distance away, was sitting the artisthimself, Basil Hallward, whose sudden disappearance some years ago caused, at thetime, such public excitement and gave rise to so many strange conjectures.As the painter looked at the gracious and comely form he had so skillfullymirrored in his art, a smile of pleasure passed across his face, and seemed aboutto linger there. But he suddenly started up, and closing his eyes, placed his fi ngersupon the lids, as though he sought to imprison within his brain some curiousdream from which he feared he might awake. “It is your best work, Basil, the bestthing you have ever done,” said Lord Henry languidly. “You must certainly sendit next year to the Grosvenor. Th e Academy is too large and too vulgar. WheneverI have gone there, there have been either so many people that I have not been ableto see the pictures, which was dreadful, or so many pictures that I have not beenable to see the people, which was worse. Th e Grosvenor is really the only place.”“I don’t think I shall send it anywhere,” he answered, tossing his head back in thatodd way that used to make his friends laugh at him at Oxford. “No, I won’t sendit anywhere.” Lord Henry elevated his eyebrows and looked at him in amazementthrough the thin blue wreaths of smoke that curled up in such fanciful whorls fromhis heavy, opium-tainted cigarette. “Not send it anywhere? My dear fellow, why?Have you any reason? What odd chaps you painters are! You do anything in theworld to gain a reputation. As soon as you have one, you seem to want to throwit away. It is silly of you, for there is only one thing in the world worse than beingtalked about, and that is not being talked about. A portrait like this would set youfar above all the young men in England, and make the old men quite jealous, if oldmen are ever capable of any emotion.”
Fourscore and seven years ago our fathers brought forth, on this continent, a new nation, conceived in liberty, and dedicated to the proposition that all men arecreated equal. Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting-place for those who here gave their lives, that that nation might live. It is altogether fitting and proper that we should do this. But, in a larger sense, we cannot dedicate, we cannot consecrate-we cannot hallow-this ground. The brave men, living and dead, who struggled here, have consecrated it far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us-that from these honored dead we take increased devotion to that cause for which they here gave the last full measure of devotion-that we here highly resolve that these dead shall not have died in vain that this nation, under God, shall have a new birth of freedom, and that government of the people, by the people, for the people, shall not perish from the earth 12 Select the correct answer What is tone of the passage? from Gettysburg Address by Abraham Lincoln November 19, 1863 OA. passionate OB. worried OC. respectful COD. hopeful