Answer: Connectedness
In this excerpt, the author is defining the woman not in terms of her own personal qualities, but in terms of her ancestry and background. This shows that the woman is interpreted not as an individual, but as part of a family. Moreover, this shows the connectedness between the woman and her ancestry.
Eurydice. Antigone tries to convince her fiancé, Haemon, to forgive his father by telling him that family is the most important thing. Haemon
follows Antigone's advice and reconciles with his father. Creon is touched and humbled by Antigone's graciousness and forgives her for
defying his order and burying Polyneices. The play ends with Antigone and Haemon happily married and ready to become the new king and
queen of Thebes.
2. Haemon tries to convince his father to think about his citizens and what they want and to realize his arrogance and folly. However, Creon
dismisses him and decrees that instead of sentencing Antigone to death, he will entomb her. Antigone puts up a brave face before being
entombed. The prophet Teiresias warns Creon of his folly, only to be rebuked. Later, when Creon goes to free Antigone, he finds out that she
has killed herself, and he witnesses Haemon stabbing himself. This news reaches Queen Eurydice, who also stabs herself in a fit of grief.
Creon returns to the palace childless and wifeless, finally realizes his hubris, and repents.
3. Haemon informs Creon that if Antigone has to die because of his unjust law, he will die with her. This announcement distresses Creon, but
he feels that Haemon is merely threatening him. He's shocked to find Haemon dead in his chambers the next morning. Haemon's death
greatly grieves Queen Eurydice, who soon after stabs herself in the heart. Creon is in deep anguish and realizes how blind he was. To honor
his wife and son's memory, he forgives Antigone. The play ends with Antigone becoming the first female ruler of Thebes. She looks after
Creon like she would have looked after her own father.
4. Haemon lends his father, Creon, his full support after Creon decides to sentence Haemon's fiancée, Antigone, to death. Ismene comes to
Haemon to beg for her sister's life, but Haemon dismisses her. Ismene decides that the only way to save her sister's life is for Haemon and
Antigone to elope. But Antigone refuses to be a coward and run away. She bravely faces the consequences of her actions. The Theban
citizens lament her terrible fate. Isméne cannot bear the thought of living without her sister, who is her last surviving family member, and
poisons herself. The play ends with both the sisters dead and Oedipus' bloodline entirely destroyed.
Answer:
the answer is passage 2Haemon tries to convince his father to think about his citizens and what they want and to realize his arrogance and folly. However, Creon
dismisses him and decrees that instead of sentencing Antigone to death, he will entomb her. Antigone puts up a brave face before being
entombed. The prophet Teiresias warns Creon of his folly, only to be rebuked. Later, when Creon goes to free Antigone, he finds out that she
has killed herself, and he witnesses Haemon stabbing himself. This news reaches Queen Eurydice, who also stabs herself in a fit of grief.
Creon returns to the palace childless and wifeless, finally realizes his hubris, and repents.
Explanation:
got the answer wrong and this was the correct one haha
Summary 2 accurately describes the second half of Antigone.
Summary 2 correctly describes the second half of Antigone. In this part of the play, Haemon tries to reason with his father, Creon, but is dismissed. Antigone is entombed and later kills herself, followed by Haemon and Queen Eurydice. Creon realizes his arrogance and repents. The play ends with Creon returning to the palace alone, having lost his family.
#SPJ6
b. conflict
c. motivation
d. stage directions
Answer:
No one stole my purse
Explanation:
Hopeuwilllikethiss
Answer:
No one stole my purse
Explanation:
Answer:
The correct answer is option A: "cut-up technique"
Explanation:
The cut-up technique is an aleatory literary technique at which an original text is cut randomly and rearranged to create a new work. This technique was developed by the Dadaists in the 1920s, but it was greatly popularized by William S. Burroughs's experiments in the late 1950s and the early 1960s that included this technique.