Answer:
Ok
Explanation:
Here's a great activity to get started with finding the author's purpose. Students read the descriptions of ten texts and determine the author's purpose: inform, persuade, or entertain. Students explain how they got their answers.
Answer:
sentence number three
Explanation:
The correct answer is A. The love of my life walked out of the door, a cappuccino in her hand.
Explanation:
In grammar, an absolute phrase refers to a phrase (set of words) that modifies a complete or independent sentence. In this way, in the case presented the phrase "a cappuccino in her hand" is absolute because it modifies the sentence "The love of my life walked out of the door".
Besides this, in terms of punctuation, absolute phrases are connected to the independent sentence they modify only through a comma. This implies the correct sentence is "The love of my life walked out of the door, a cappuccino in her hand" because in this, the comma is used to connect the absolute phrase and the sentence that is modified.
Answer:
C
Explanation:
Thank you for the addition. You were saved from a deletion, thank goodness.
It is between A and C and I would pick C. The hs in hot and heaven are very soft while birch and beech are quite pronounced. I would choose C.
Answer:
Great Expectations occupied a fairly recently established sub-genre, autobiographical fiction, but it also incorporated other generic possibilities, in particular those of Gothic fiction and popular melodrama. For example, when the convict first comes into Pip's view, he is like an emanation from the graves in the churchyard. He is marked all over his body by the landscape and he tells the boy he wishes he were a frog or an eel. He finally limps off towards the black and deathly gibbet on the river's edge, which had once held a pirate, looking as if he were that pirate ‘come to life, and come down, and going back to hook himself up again’ (p.7). The word ‘grotesque’ can be used to describe the surprising mixture of forms, characteristic of Dickens's writing, in which human, animal and vegetable seem to intermingle, but which is nonetheless designed to win our belief. Without winning that belief, Dickens cannot hope to engage us with the moral patterning of his text.