Answer:Bull's head is a primal motif that seems over and over in Picasso's painting and can be viewed in Spain, France, Egypt, Italy, Greece, and the middle east. It traverses from the ancient eras of grotto arts to modern bullfights.
Explanation:
In 1943, Picasso designed his treasure Bull's Head, a primal motif of Western art, from an abandoned bicycle. This model has a natural attractiveness, with the seat of the bicycle shaping up the bull's head and the handlebar shaping up the bull's horns. This shows that to an artistic genius, everything is probably art.
Answer:
They are important for 2 reasons:
1. Performing/analysing Music – An understanding of the musical elements will enable you to understand any piece of music, whether you are trying to perform the piece or analyse it. If we know the key elements that make up a car then we can use them to compare any car around the world from a Ferrari to a pickup truck by asking some simple questions – “What size engine does it have? What colour is it? How many wheels does it have? etc..” In the same way, we can understand any piece of music by asking questions – “What is the tempo? How loud is it? What key is it in? What instruments are playing? Etc…”
2. Composing Music – The musical elements are your “composer’s toolbox” – without a clear understanding of the elements of a car you will never be able to build a car. Without a clear grasp of the elements of music your ability to write music will be seriously compromised and you will not be able to reach your potential as a composer (whatever style you are wanting to write in).
The Romans were more maintainers of culture than inventors of culture. Agree.
Romans is a book in the holy Bible.
Maintainer is a person or thing that maintains something, in particular computer software.
Inventor is a person who invented a particular process or device or who invents things as an occupation.
To learn more about Romans and inventor refer
#SPJ2
Answer:
more maintainers rather than inventors, so agree.
b. the crosswise threads of the fabric.
c. its wrong side.
d. the outside of the fabric.
Its A. lengthwise threads of the fabric.