Answer:
hey, hey how yall doin
Explanation:
Answer:
you can choose the one answer helpful to you...
:)
B. Composers placed vocal ensembles at the ends of acts.
C. Comic operas became more important.
D. Sections of recitative, aria, and chorus flow smoothly from one section to the next.
E. Emphasis is placed on natural, realistic characters.
Answer: D. Sections of recitative, aria, and chorus flow smoothly from one section to the next.
Explanation: That would be the only reasonable answer.
The incorrect statement is C. Comic operas did not become more important in Classical operas.
Comic operas are a genre of musical theater characterized by their humorous and lighthearted themes. They feature comic characters, witty dialogue, and comedic situations. Some well-known examples include "The Marriage of Figaro" by Mozart and "The Pirates of Penzance" by Gilbert and Sullivan. Comic operas entertain audiences with their blend of music and humor.
The INCORRECT statement regarding Classical operas is that comic operas became more important. In Classical operas, comic operas were considered lighter and less significant compared to serious operas. Serious operas, or opera seria, were the dominant form during the Classical period and focused on serious and dramatic themes.
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Answer:
articulation
Explanation:
took the test
Answer:
Intarsia
Explanation:
Just took the test got 100%
Answer:
False
Explanation:
The flute is the highest Pitched instrument in the wood wind section
Answer:
false ITS FLUTE
Explanation:
i did the question :3
Answer:
the lack of time allocated by the studio, and restrictions on the type of instruments allowed
Explanation:
hope this helps
b. False
Answer:
FALSE
Explanation:
Romanticism was a movement that began in Europe in the last decades of the seventeenth century. It has had an impact far beyond literature, although its name is associated with it. Romanticism influenced the arts in general, the philosophy and even the political thinking of its time.
During the period this movement lasted, society emphasized what was called the romantic spirit: an individual-centered attitude and worldview. Its aim was to differentiate itself from Enlightenment thinking, which preached objectivity and placed reason at the center of the world.