Answer: Power
Explanation: It's saying it's uprsising in power
Stand in the desert ... Near them, on the sand,
Half sunk, a shattered visage [face] lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which still survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.
Which of the following sentences best describes the dramatic irony in the poem?
The traveler knows he will see the statue in the desert.
The traveler knows who the king was.
The audience knows the traveler has seen the statue in the desert.
The audience knows the boastful king's power did not last.
The dramatic irony in the poem is that the audience knows the boastful king's power did not last.
The dramatic irony in the poem 'Ozymandias' lies in the fact thatthe audience knows the boastful king's power did not last. While the traveler marvels at the ruined statue of Ozymandias and his grandiose words, the audience is aware that nothing besides the ruins remains. This creates a contrast between the traveler's admiration and the audience's knowledge of the king's eventual downfall.
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This is because he himself came from a middle upper class family and he had many acquaintances from the lower classes.
Defoe himself didn't come from a poor family - I wouldn't say they were rich, but they didn't have many hardships in life, at least not financially. Even when he grew up, he became a merchant so he had some money of his own. However, in order to write stories about such characters, Defoe had to spend time with them, with the lowest classes and get acquainted with their way of living.
Answer:
is it possible to add the attachment of what your reading
Explanation:
During the mid-eighteenth century, at the height of the neoclassical era, the heroic couplet was the most popular type of poem. This form featured rhymed pairs of lines in iambic pentameter and was favored for conveying wit, satire, and moral lessons.
During the mid-eighteenth century, at the zenith of the neoclassical era, the heroic couplet reigned as the most popular type of poem. This poetic form consists of rhymed pairs of lines in iambic pentameter, offering a structured and balanced style. It was notably favored by neoclassical poets like Alexander Pope.
Heroic couplets were employed to convey wit, satire, and moral lessons, adhering to the neoclassical emphasis on reason, order, and restraint in literature. Their regularity and symmetry reflected the neoclassical commitment to imitating classical forms from ancient Greece and Rome, emphasizing the emulation of classical literary ideals and fostering an era of literary elegance and precision.
To know more about area neoclassical era here :
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