In black-figure pottery, the amphora is fired and then carved, in red-figure pottery, the amphora is painted before it is fired, in negative spaces where the figures were supposed to be.
Black-figure and red-figure pottery are forms of Greek pottery that were used during different periods. They differed in the techniques employed – black-figure pottery utilized black paint on a red clay background, while red-figure pottery used red clay figures on a black slip background.
Black-figure and red-figure pottery are both forms of Greek vase painting, prevalent during the Archaic and Classical periods respectively. Black-figure pottery, the older style, involves the drawing of silhouettes or figures onto the clay surface and then filling them in with black slip (liquid clay). Details would be inscribed onto these figures, revealing the red clay beneath and thus creating a design.
On the other hand, red-figure pottery, introduced later in Athens, required the artist to leave the figures in the natural red of the clay, while the rest of the pot was painted with black slip. Two of these types of pottery shed light on the Greek mythology and daily life of the time, and they provide valuable insights into Greek cultural history.
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The statement, the presentation of a photograph does not really add or detract from the photograph and shouldn’t be a concern for photographers, is false because depending on who is presenting, they could he talking off topic which will have the viewers pay less attention to the photograph.
Answer:
False
Explanation:
to take the worshipper into a more spiritual mindset and show nature in all its glory
to take the worshipper into a more spiritual mindset and instruct on biblical themes
Mosaic is type of artwork that involves decorating a surface with variously coloured, small pieces of material such as stone, mineral, glass, tile, or shell that are closely set.
The purpose of the church mosaics is to take the worshipper into a more spiritual mindset and instruct on biblical themes
Answer:
A. Large
Explanation:
Answer:
Indeed, the Mona Lisa is a very realistic portrait. The subject's softly sculptural face shows Leonardo's skillful handling of sfumato, an artistic technique that uses subtle gradations of light and shadow to model form, and shows his understanding of the skull beneath the skin.
Explanation:
Genres: Portrait
Answer:
mona lisa -pbs i know it or