Answer: The two consecutive even numbers are 378 and 380.
Explanation: to solve this problem we need to write an equation with only one unknown variable. To do that we know that when we have an even number, let's call it "x", to express the even number that follows we can write "x+2" because if we add two, to an even number, the result will be the next even number. So the sum of two consecutive even integers can be written as: x+(x+2), if we divide that by four, and make it equal to 189.5, we will have our equation and we can solve it as follows:
x+(x+2)=189.5*4
2x+2=758
2x=758-2
2x=756
x=378
378 is our first number, to find the next one, we just add two.
378+2=380
In Robert Cormier's "The Moustache," Mike and his dog are the central figures.
What is the primary point of contention in The Moustache?
Man vs. Self was the central theme of The Moustache. Throughout the narrative, Nana refers to Mike by name and chats with him about things he wasn't present for. He concerns himself with his grandmother's mental health before realising that she believes Mike to be her late husband.
The protagonist of the narrative is Mike. His "moustache inspires the title of the narrative." Mike's mother says he's too young to have facial hair, but he grew it to make a point and later realised he loved it.
To learn more about “The Moustache” from the given link
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Answer:
C
Tony and Felix must box each other while also keeping their friendship together.
B. use a shading technique that would cause the highlights and shadows to blend seamlessly
C. change all organic shapes to geometric shapes to create a cubist portrait
D. use patterns of color in the background to emphasize light showing through the leaves
An artist could disrupt harmony by changing the proportions of facial features or by transforming organic shapes into geometric shapes for a cubist style. This abstract representation can disturb the balance and proportion we usually expect in an image.
To create an image that is not harmonious, an artist could potentially use any of the techniques listed, depending on the context. However, generally, A. changing the proportions of the facial features so they no longer worked together, can disrupt the harmony in an image.
This can yield a more abstract or non-traditional representation, disturbing the typical balance and proportion which our eyes anticipate in a face. Furthermore, C. changing all organic shapes to geometric shapes to create a cubist portrait also introduces non-harmony. Cubism, a style of art pioneered by Pablo Picasso, often breaks subjects down into geometric forms, thus disrupting the naturalistic, harmonious depiction of figures and objects.
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