Answer:
D? (correct me if im wrong please)
Answer:
true!!!
Explanation:
Answer:
true
Explanation:
The use of monumental canvases for historical and religious subjects was closely tied to the patronage system of the time, where powerful institutions and individuals commissioned artworks to display their wealth, power, and cultural prestige.
Prior to 1848, monumental canvases were primarily reserved for **historical and religious subjects**.
During the centuries leading up to 1848, especially during the Renaissance and Baroque periods, large-scale paintings were often commissioned for religious institutions, royal courts, and other powerful patrons.
These monumental canvases served various purposes:
1. **Religious Art:** Many of the largest paintings created prior to 1848 were religious in nature, depicting scenes from the Bible, saints, and religious narratives.
Churches and cathedrals commissioned massive altarpieces and frescoes to adorn their sacred spaces.
2. **Historical Paintings:** Historical events, battles, and significant moments from the past were also common subjects for monumental paintings.
These works aimed to commemorate important events and figures in history.
3. **Portraits of Royalty and Nobility:** The portraits of monarchs, nobles, and other prominent individuals were often created on a grand scale to emphasize their stature and importance.
These portraits adorned palaces and official buildings.
4. **Mythological and Allegorical Themes:** Mythological and allegorical subjects were also popular for large-scale paintings, often serving as vehicles for conveying moral or political messages.
5. **Decorative Arts:** Monumental paintings were sometimes created as part of interior decoration for palaces and mansions, adding to the grandeur of the surroundings.
After 1848 and throughout the 19th century, art trends shifted, and artists began exploring a wider range of subjects and styles, including genre scenes, landscapes, and more personal expressions of art.
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The statement, the presentation of a photograph does not really add or detract from the photograph and shouldn’t be a concern for photographers, is false because depending on who is presenting, they could he talking off topic which will have the viewers pay less attention to the photograph.
Answer:
False
Explanation:
O False
Answer:
True
Explanation:
True - this is the correct answer. So-called post-mortem photography was popular in Victorian times and society. This was because most of the families did not have enough money to make casual everyday photos with family. Therefore, if someone died unexpectedly, the family would pose with their body as if they were alive. They would place the body, hold it with different techniques, often making it look as alive as possible. Other times, the deceased would be placed to look as if they are asleep. Victorian society has various complicated rituals concerning death and dying, and mortality wasn’t a taboo topic, therefore, this was not seen as weird or morbid at the time.
False – this is the wrong answer. We have photo evidence that people posted with deceased loved ones for photography, mostly during the Victorian period.
Answer:
If you don't want to read its True
Answer:
Rubato
Explanation:
RUBATO is a musical term widely used to indicate the speed of a musical text in a "flexible" manner in order to have an expressive effect on the part of the artist.
It comes from Italian, time stolen "tempo rubato", is a term that applies to musical performance and indicates a delay or momentary abandonment of strict tempo - what is "stolen" in duration to one or more notes is "compensated" further up.