ENGLISH HIGH SCHOOL

What is the president's role when there is a national tragedy?

Answers

Answer 1
Answer:

Answer:

To calm and unite the nation, to give a sense of unity and strength

Explanation:

Just look back on what George W. Bush did during 9/11

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Lines 1–9, ‘“I left in a French steamer . . . a creeping mist,”’ describe thesea as I. cryptic II. laconic III. obfuscated (A) I only (B) II only (C) I and III only (D) II and III only (E) I, II, and III Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”

Regarding the nature of drama, which statement is false?a. In reading drama, some elements have to be imagined by the reader.
b. Drama is like poetry, in that it is meant to been seen and heard.
c. Modern dramas, such as films, are not structured in the manner of stage plays.
d. Drama is meant to present a story through action and dialog.

Answers

The right answer for the question that is being asked and shown above is that: "c. Modern dramas, such as films, are not structured in the manner of stage plays." Regarding the nature of drama, the statement that is false is that Modern dramas, such as films, are not structured in the manner of stage plays.

Answer:

Regarding the nature of drama, which statement is false?

False Choice: B. Modern dramas, such as films, are not structured in the manner of stage plays.

Did the exam for Penn Foster and got an 100%

The music will be played softly when it is our turn to enter the ring.

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the music will be softly played when it is our turn to enter the ring

What is emotional language?

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Emotional language, also referred to as emotive language, is different types of words that writers use to invoke emotions in people. Examples are Sad, Happy, Aggressive, Awful, Cautious, and other words that invoke emotion. 


Hope this helps! :)

The character of Silas in Silas Marner may best be described as _____.honest
emotional
illogical

Answers

Answer:

  • Honest

Explanation:

As an inhabitant of Lantern Yard, Silas Marner had been basic, trusting, and religious until dishonestly blamed for burglary. He at that point lost his confidence in religion and individuals. Getting some distance from mankind, he coordinates his hindered affections toward his consistently expanding heap of coins. At the point when Eppie enters his life, he recovers his confidence in the principal decency of mankind. In his puzzled style, he acknowledges help from his Raveloe neighbors and chooses to raise the motherless tyke who has caught his heart; under her influence, he never again loses hope as a result of the stolen money.
I would say that the correct answer is that the character of Silas in "Silas Marner" may be best described as 'honest'. Because despite his antisocial behavior, he is at heart kind and honest. He never said anything malicious throughout the novel.

In The Great Gatsby, what does F. Scott Fitzgerald suggest about the state of the American Dream, the people who pursue it, and the impact of that pursuit through his depiction of Jay Gatsby and the people in Gatsby’s life? Include specific examples, quotations, and supporting details from the novel in your response. Do not merely summarize the story.

Answers

He shows how the American dream became twisted and distorted. Gatsby who achieved it, became famous, popular, rich, had his life destroyed and eventually died in the end because of his lifestyle. He wanted to become someone important so bad that it destroyed him in the end.

The French term mise-en-scène, literally meaning "put in the scene", refers to what when analyzing a film?

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basically everything that makes the scene what it is. Like a dark room to convey mystery
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