Diego Rivera is the artist of the image above. Rivera thought that making art accessible to the general population was accomplished through creating murals on the walls of public structures. His murals primarily told tales about Mexican culture and made allusions to the 1910 revolution.
In order to create his murals, Rivera decided to fresco them, which means that he painted directly onto the wall or other surface where the mural would be seen. Rivera painted his paintings directly on the walls to prevent them from being taken down or stolen, possibly anticipating his own fame and power.
Right off the courtyard of the national palace, facing you as you up the steps is a sizable Rivera painting. A mural that wraps around the wall and depicts the history of Mexico was painted between 1929 and 1935. An eagle holding a serpent is prominently displayed, mirroring the main design of the Mexican flag.
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A. The use of rich and colorful decoration
B. The reliance on universal Christian symbols
C. The depiction of elongated figures
D. The development of abstract imagery
E. The creation of realistic-looking plants and animals
Answer:
id say its D
Explanation:
3. mixture of hue and water
4. liquid substance used in paint and other media to bind particles of pigment together
The answer is #1 because if you scrape a wall with clay you see a reddish- brown color. That is called pigment.
Answer:
1
Explanation:
-Apex
Peak is the music that is the unifying principle for a human being, as this type of music brings the body and soul into harmony.
The reward region of the brain is the primary mechanism underlying why individuals listen to music. Areas of the reward system are activated when listening to enjoyable music. The same brain-chemical system that makes it possible to feel pleasure.
Thus, it is Peak
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This piece of art was created using: red figure technique
The "red-figure technique" is a style of ancient Greek pottery painting that was predominant from the late 6th to the late 4th century BC. In this technique, the figures and details were painted in a glossy black glaze on the pottery, leaving the background of the vessel in the natural red color of the clay.
What distinguishes red-figure pottery from its predecessor, the black-figure technique, is the method of depiction: artists painted the background black and left the figures in the natural red color of the clay in the black-figure technique.
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