Answer:
Iambic Pentameter
Explanation:
"The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in a-bove). "Pentameter" indicates a line of five "feet"."
The vocal writing tends to be more syllabic and not nearly so virtuosic. There is also very little repetition of text; singers typically sing their words only once. The melodies also tend to be more rhythmically fluid, avoiding any strong sense of periodic phrase structure.
In Verdi's opera, the orchestra typically supports the singers, while in Wagner's opera, the orchestra integrates with the voices and often shares the narrative role, reflecting Wagner's unique operatic style.
In Verdi's opera, the orchestra supports the virtuosity of the singers, suggesting the music acts more as a background to allow the voices to stand out. In contrast, in Wagner's opera, the orchestra plays a much more prominent role. Rather than simply supporting the singers, the orchestra integrates with the voices and often shares the dramatic narrative. This technique, where the orchestra is critical in carrying the emotional burden of the story, is a strong feature of Wagner's operatic style.
#SPJ3
Answer:
Themes include perseverance and integrity. Remy doesn't let the fact that he's an unconventional chef prevent him from following his dreams, and Linguini learns to stand up for what he believes in. They both make mistakes, but they learn from them
Explanation:
Answer:
plot
Explanation:
b. 2 tercets.
c. 7 total lines.
d. 8 total lines.
which must consist of an octave, of eight lines, succeeded by a sestet, of six lines
The use of monumental canvases for historical and religious subjects was closely tied to the patronage system of the time, where powerful institutions and individuals commissioned artworks to display their wealth, power, and cultural prestige.
Prior to 1848, monumental canvases were primarily reserved for **historical and religious subjects**.
During the centuries leading up to 1848, especially during the Renaissance and Baroque periods, large-scale paintings were often commissioned for religious institutions, royal courts, and other powerful patrons.
These monumental canvases served various purposes:
1. **Religious Art:** Many of the largest paintings created prior to 1848 were religious in nature, depicting scenes from the Bible, saints, and religious narratives.
Churches and cathedrals commissioned massive altarpieces and frescoes to adorn their sacred spaces.
2. **Historical Paintings:** Historical events, battles, and significant moments from the past were also common subjects for monumental paintings.
These works aimed to commemorate important events and figures in history.
3. **Portraits of Royalty and Nobility:** The portraits of monarchs, nobles, and other prominent individuals were often created on a grand scale to emphasize their stature and importance.
These portraits adorned palaces and official buildings.
4. **Mythological and Allegorical Themes:** Mythological and allegorical subjects were also popular for large-scale paintings, often serving as vehicles for conveying moral or political messages.
5. **Decorative Arts:** Monumental paintings were sometimes created as part of interior decoration for palaces and mansions, adding to the grandeur of the surroundings.
After 1848 and throughout the 19th century, art trends shifted, and artists began exploring a wider range of subjects and styles, including genre scenes, landscapes, and more personal expressions of art.
For similar questions on monumental canvases
#SPJ6
2.systematic musicology
3.historical musicology
4.ethnomusicology
Answer:
Option (2)
Explanation:
Systematic musicology can be defined as a large scale inter-disciplinary research area that primarily focuses on the music, rather than the detailed demonstration of the music. This term is commonly used in the central portion of Europe, and is one of the basic branches of musicology.
Thus, systematic musicology is that branch of musicology that approaches music from a scientific perspective or from a philosophical perspective.
Therefore, the correct answer is option (2).