Answer:
Wohaaa
Explanation:
Answer:
oof
Explanation:
Answer:
i dont understand the qustion what stages
Explanation:
b.Velázquez used loose brushstrokes for the figures and smooth, precise brushstrokes for the background.. .
c.Velázquez preferred to work spontaneously rather than carefully plan out his compositions.. .
d.Velázquez captured many middle tones between dark and light to create structure and accentuate color..
Answer:
B
Explanation:
Plato
A. Guitar
B. Bass
C. Violin
D. Cello
The guitar is usually not found in an orchestra. While the bass, violin, and cello are all common string instruments in orchestras, the guitar is not traditionally included. Therefore, option A is correct.
The guitar is a musical instrument that is played with the fingers or a pick. It typically has six strings, but variations exist with four, seven, eight, ten, and twelve strings.
The sound of the guitar is produced by the vibration of the strings, which are pressed down onto the frets by the fingers of the left hand while the right hand strums or plucks the strings.
The guitar has a long history and is a popular instrument in many genres of music, including rock, pop, blues, and classical. It can be played solo or as part of a group, and electric guitars are often used in amplified settings such as concerts or recording studios.
Learn more about guitar here:
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Answer:
The guitar is not found in an orchestra because the sound doesn't blend well with the rest of the instruments, also it is just a tradition that it isn't found in an orchestra.
Answer:
Giovanni Gabrieli
Explanation:
Giovanni Gabrieli (1557 - 1612) was born in Venice.
As a composer, G.Gabrieli led polychorality to prodigies of sonorous color, of vivid spiritual affinity, like the painters of the Venetian Cinquecento. His most important works are the Sacred Symphonies (1597), for six and even sixteen voices. The contrapuntal procedure is already presented without the complications of the Flemish masters and is also quite different from the Palestrinian style. The wise mobility of the voices is used as expressive deepening of the texts.
The most powerful of these works are the Miserere (six voices), the Domine Jesu Chirste (eight voices), Jubilate Deo (Rejoice in God) (eight voices), Canzon in double echo, Ascendit Deus (God ascends) (sixteen voices) ) and the famous Benedictus (three choirs).
Part of these works is designed with instrumental accompaniment, replacing, in part, human voices, as in the Piano and Fort Sonata, for two trumpet choirs. G.Gabrieli anticipated the evolution of instrumental music.