Which of the following notes is right below G in the bass clef?
A.
B.
I’m trying to see if it’s right
Answer:
D is the correct answer
Explanation:
D is correct because the key you are in is f major so the line where the key is, is F and the upward note is G. So below G is F. F is question D
B. All of the notes in the song must be taken from the E Minor scale
C. Only notes from the E Minor and E Major scales can be used
D. Notes from the E major scale cannot be used
Answer:
A
Explanation:
C is incorrect, because the Major part is wrong.
D is...... how do I say this..... just, plain NO
B is partially correct, but not always true.
silkscreen printing
c.
typography
b.
serigraphy
d.
lithography
An example of lithography is the form of printing that involved usage of a stone press on which areas are made receptive to ink.
A lithography refers to a form of printmaking where the design is drawn onto a flat stone
Hence, the example of lithography is the form of printing that involved usage of a stone press on which areas are made receptive to ink.
Therefore, the Option D is correct.
Read more about lithography
Deconstruction is a form of criticism. The goal is understanding the underlying and unspoken and implicit assumptions, ideas and frameworks of cultural forms such as works of art. Deconstruction forces the viewer to wonder about the purpose, the fragility and the symbolism of the image. Example: American artist Michael Mapes has deconstructed and reconstructed traditional 20th century images of pin-up girls .
Deconstruction is a philosophical and critical approach that challenges traditional notions of meaning and interpretation by examining the underlying assumptions and contradictions within a text or artwork.
It seeks to expose the inherent instability and multiple interpretations of a work, undermining fixed meanings.
An example of a famous painting that incorporated deconstruction is "Les Demoiselles d'Avignon" by Pablo Picasso. This seminal work from 1907 deconstructs the conventions of traditional representation through its fragmented and distorted figures.
Picasso breaks away from classical perspectives and ideals of beauty, challenging the viewer's preconceived notions. The painting's disjunctive and confrontational composition invites multiple interpretations and defies fixed meaning, embodying the spirit of deconstruction.
Learn more about Deconstruction here
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