What is the main source of the tension between Scout and her Aunt Alexandra
in Chapter 9? Find evidence from the text to support your answer.
Spending Christmas at Finch's Landing is always a bit of a chore for Scout, especially because of Aunt Alexandra's unwelcome presence. The two don't get on very well, not least because Alexandra is forever trying to get the tomboy Scout to act like a lady. And at Finch's Landing that Christmas, Alexandra is on Scout's case once again, taking sides with her grandson, Francis, against Scout. She accuses Scout of keeping him trapped in the kitchen, where he's not supposed to play. Alexandra is upset at what she perceives as Scout's outrageous treatment of her little darling grandson (though it was actually Francis who started the conflict by making a hurtful remark about Atticus).
Alexandra gets even more upset when Scout actually gives Francis a good whupping for his trouble. Francis makes himself out to be the victim, earning the sympathy of his grandma, who, as always, takes his side.
The primary tension between Scout and Aunt Alexandra in Chapter 9 stems from their differing views on social class, gender roles, and family reputation. Scout's tomboyish nature collides with Aunt Alexandra's traditional and class-conscious viewpoints.
In the novel To Kill a Mockingbird by Harper Lee, the primary source of tension between Scout and her Aunt Alexandra in Chapter 9 is their contrasting perspectives on social class and gender roles. Scout is attracted to the wild nature of childhood and dislikes the feminine duties that Aunt Alexandra tries to impose upon her. Aunt Alexandra, on the other hand, is strictly adherent to Maycomb's social hierarchy and tries to instill this awareness in Scout. Evidence of this can be found when Aunt Alexandra tells Scout to behave like a lady and stop wearing breeches, which Scout resents.
Furthermore, Scout's unconventional nature contrasts Aunt Alexandra's traditional views, particularly about family reputation and the importance of 'gentle breeding.'
#SPJ3
2) Don't cut your fingers with the edge of your keen wit
3)Stoop from cold heigh,t Helen Grey/ come down and take a lowlier place
4) Come down you must perforce some day/ For years cannot be kept at bay
Option 2) Don't cut your fingers with the edge of your keen wit.
The main subject matter of "Helen gray" is that splendor isn't the whole lot, so the formidable phrases are looking to humble her of this. through her "taking a lowlier vicinity" could suggest stepping off your excessive horse and scent the roses of how splendor truly isn't the entirety.
Poetry is literature written in stanzas and lines that use rhythm to express feelings and thoughts. Poets pay precise attention to the duration, placement, and grouping of strains and stanzas. that is referred to as shape. Traces or complete stanzas may be rearranged that allow you to create a selected effect on the reader.
Learn more about Poetry here: brainly.com/question/9861
#SPJ2
A semicolon should precede the conjunctive adverb.
The conjunctive adverb is "however". It joins two complete ideas: "Tris Imboden has drummed for Stevie Wonder and Julio Iglesias" and "most know him as the drummer in the band Chicago". When a conjunctive adverb is used for two complete phrases, a semicolon needs to precede the conjunctive adverb. The conjunctive adverb is correct because it is showing how people's knowledge of Tris Imboden is often not complete.
while
my essay
I…my
while I waited
while is the answerΔΔΔΔΔ∞
B. n-3
C. 3n+3
D. 0.01d + 5( 0.10d)