The use of monumental canvases for historical and religious subjects was closely tied to the patronage system of the time, where powerful institutions and individuals commissioned artworks to display their wealth, power, and cultural prestige.
Prior to 1848, monumental canvases were primarily reserved for **historical and religious subjects**.
During the centuries leading up to 1848, especially during the Renaissance and Baroque periods, large-scale paintings were often commissioned for religious institutions, royal courts, and other powerful patrons.
These monumental canvases served various purposes:
1. **Religious Art:** Many of the largest paintings created prior to 1848 were religious in nature, depicting scenes from the Bible, saints, and religious narratives.
Churches and cathedrals commissioned massive altarpieces and frescoes to adorn their sacred spaces.
2. **Historical Paintings:** Historical events, battles, and significant moments from the past were also common subjects for monumental paintings.
These works aimed to commemorate important events and figures in history.
3. **Portraits of Royalty and Nobility:** The portraits of monarchs, nobles, and other prominent individuals were often created on a grand scale to emphasize their stature and importance.
These portraits adorned palaces and official buildings.
4. **Mythological and Allegorical Themes:** Mythological and allegorical subjects were also popular for large-scale paintings, often serving as vehicles for conveying moral or political messages.
5. **Decorative Arts:** Monumental paintings were sometimes created as part of interior decoration for palaces and mansions, adding to the grandeur of the surroundings.
After 1848 and throughout the 19th century, art trends shifted, and artists began exploring a wider range of subjects and styles, including genre scenes, landscapes, and more personal expressions of art.
For similar questions on monumental canvases
#SPJ6
b. When close-up parts of an object are drawn as larger than parts that are farther away
c. When one object partially covers another object in an artwork
d. When one object completely covers another object in an artwork
Answer:
The answer is C
Explanation:
Trust me, I took the review and it was C
Opera was unimportant.
Orchestral music dominated instrumental music.
Vocal music all but vanished.
The true statement about Romantic music is Orchestral music dominated. Thus, option C is correct.
Romantic music can be defined as a stylistic movement in Western Classical music that include nature and self-expression. It has been generally used homophonic texture in it and express full range of human emotion and feelings. It has been more precise and melodious than that of the Classical music.
Europe has been known for its distinct and ancient form of art and culture in the world that was rediscovered and promoted. After the medieval period of around 1000 years, during 14th century to the 17th century, a fervent period came that supported the discovery of art and culture as well as its promotion, this period is called as a period of renaissance.
Therefore, The true statement about Romantic music is Orchestral music dominated. Thus, option C is correct.
Learn more about Romantic music on:
#SPJ2
Answer the following question in 3-4 complete sentences.
Answer:
This painting is by Géricault called, The Raft of the Medusa. The artist has effectively used space by first creating a triangular shape with the raft and bodies of the men acting as the base. Everything in the painting then leads up to the man waving the flag (center, top-right). We also see shade and shadow among the people and the sails, which gives it depth and also helps to again direct our eyes. There is also an element of sfumato used by the artist in the sea and the ocean, in order to emphasize the raft in the forefront, and to create a sense of mystery and fear.
Explanation:
Answer:
Albrecht Dürer
Dürer's Rhinoceros
B. The difference between blue and yellow
C. The difference between yellow and purple
D. The difference between light and dark green
Answer:
D
Explanation:
Value is like shade or shadow in this can you will us the lighter color green and the darker green to make a shadow effect or to make a shade. Hope this helped
Answer:
D
Explanation: