Answer:
She could feel the footsteps behind her the nameless thugs whose loyalties could be bought and sold like sacks of sugar is the answer.
Explanation:
In literature, a round character is usually the star of the story and a significant player. This is the kind of character that faces conflict and he or she changes after it. They are more developed than flat characters, which only appear in specific moments. The conflict is stated in the first sentence and the second one mentions how it develops and how the character, Nicki relates and reacts to it.
Answer:
Nicki is afraid for the first time and unsure about her actions.
Explanation:
A.
its
B.
it's
C.
her's
D.
his
Answer:
B). To urge wealthy Indians to act instead of merely talk about poverty.
Explanation:
As per the question, the speaker's key intent or purpose in the given excerpt from Gandhi's 'Banaras Hindu University Speech' is 'to urge wealthy Indians to act instead of merely talking about poverty.' His chief emphasis to encourage the wealthy Indians to come forward to help the poor men financially('There is no salvation for India unless you strip yourselves of this jewelry and hold it in trust for your countrymen in India') instead of merely talking about their poor condition 'to show the truest loyalty'. Thus, option B is the correct answer.
Answer:
The main purpose is that he wants to compel the audience to think about the actions of anarchists
Explanation:
anarchists is the person who believe in anarchy. Anarchy is a state of disorder due to absence or non-recognition of authority or other controlling systems.
I dwell in Possibility –
A fairer House than Prose –
More numerous of Windows –
Superior – for Doors –
Of Chambers as the Cedars –
Impregnable of Eye –
And for an Everlasting Roof
The Gambrels of the Sky –
Of Visitors – the fairest –
For Occupation – This –
The spreading wide my narrow Hands
To gather Paradise –
Do Not Go Gentle into that Good Night
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
I think your analysis is good, but since they are specifically asking you to analyze the formal aspects of each poem, I would add a few more things.
In Dickinson's "I dwell in Possibility," the use of capital letters does emphasize those words, but there are many other poetic devices that create meaning and affect the poem, such as metaphors ("A fairer House," which refers to poetry, for instance), a vivid imagery (it is impossible not to picture a house in your mind when you read this poem, beautiful, ample, with many windows, and the sky as its roof), and assonance (words such as "Prose" and "Doors" or "Eye" and "Sky" have resembling sounds), among others. These devices have been carefully chosen in order to convey a very praising description of poetry.
"Do Not Go Gentle into that Good Night," by Dylan Thomas, is a call to resist death and fight for life with tenacity, and the use of specific formal elements contribute greatly to convey that message. Thomas uses repeatedly the verbs "rage" and "do" in their imperative form, in an attempt to convince his dying father to resist and to not accept death without fighting for his life first. He also uses various poetic devices, such as alliteration ("go, gentle, good"), simile ("Blind eyes could blaze like meteors"), oxymoron ("curse" and "bless" have opposing meanings, yet he places them together) and hyperbole (he is exaggerating his father's qualities when he says "Wild men who caught and sang the sun in flight"), among others. In addition, throughout the poem there are many terms ("night," "dying of the light," "sad height") that speak symbolically, yet tactfully, of the unavoidable death.