B) mainly
The word "mainly" shows that the story of Huck Finn is more fiction than fact. He repeats this word many times when he is talking about the story being one of truth. This intensifier introduces the idea of the story being a bit exaggerated and fictional. The other words add to the characterization of Huck. He uses ain't simply to mean isn't. When he says "that ain't no matter" he means that it is no big deal. Without is used to mean exactly that and is not meant as an opposite.
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Answer:
a
Explanation:
B.I see three new students on the roster: Brown, Brian; Jones, Janis; and Monroe, Max.
C.I see three new students on the roster: Brown; Brian, Jones; Janis, and Monroe; Max.
D.I see three new students on the roster: Brown, Brian, Jones, Janis, and Monroe, Max.
A strong friendship cannot develop after sharing embarrassment.
b.
Honesty and trust are not necessary to developing a friendship.
c.
Without common interests, friends cannot have fun.
d.
Friendship may first develop from sharing interests and having adventures, but profound relationships are built on trust, honesty, and support.
e.
It is easy to find lifelong friends on roadtrips.
d. Friendship may first develop from sharing interests and having adventures, but profound relationships are built on trust, honesty, and support.
Poetry is the message delivered by the poets in the poems. Modernist poetry included the use of sparse language. Thus, option B is accurate.
A sparse language is a distributed language and word usage that is not crowded and is mostly associated with modernist poetry as many words were not used to express the thoughts.
Modernist poetry was mainly confined to North America and Europe. The poets of this work favored the use of emotions over the intellect and portrayed the theme of isolation.
Therefore, option B. modernist poetry is associated with sparse language.
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The use of sparse language is a feature that is most closely associated with modernist poetry. Option B is correct.
Modernist poetry refers to poetry written, mainly in Europe and North America, between 1890 and 1950 in the tradition of modernist literature.
The modernist poets tended to favor intellect over emotion, and valued themes of alienation and isolation in response to the romanticism.