ENGLISH HIGH SCHOOL

Who doesn't trust Mr. Beaver?
a. Edmund
b. Susan
c. Lucy
d. Peter

Answers

Answer 1
Answer: Both Susan and Edmund distrust Mr. Beaver, however, the correct answer should be Susan since she is the one who initiated debate about this distrust.

Related Questions

Select the appropriate word to complete the following sentence. The secretarial tasks are divided _______ several people.a. through b. between c. of d. among
Lines 13–18, ‘“We pounded along, . . . on we went,”’ suggest that thespeaker sees his job on the French steamer as (A) perfunctory (B) cumbersome (C) onerous (D) critical (E) vexing Passage 3. Joseph Conrad, Heart of Darkness “I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom- house offi cers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. Th ere it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, ‘Come and fi nd out.’ Th is one was almost featureless, as if still in the making, with an aspect of monotonous grimness. Th e edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. Th e sun was fi erce, the land seemed to glisten and drip with steam. Here and there greyish-whitish specks showed up clustered inside the white surf, with a fl ag fl ying above them perhaps. Settlements some centuries old, and still no bigger than pinheads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a fl ag-pole lost in it; landed more soldiers—to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. Th ey were just fl ung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places—trading places—with names like Gran’ Bassam, Little Popo; names that seemed to belong to some sordid farce acted in front of a sinister back-cloth. Th e idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. Th e voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. Th ey shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks—these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. Th ey wanted no excuse for being there. Th ey were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. Th ere wasn’t even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long six-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, fi ring into a continent. Pop, would go one of the six-inch guns; a small fl ame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech—and nothing happened. Nothing could happen. Th ere was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives—he called them enemies!—hidden out of sight somewhere.”
What did loisels do during the ten years followig the ball
Is the underlined clause independent or subordinate? Tom needs a new car because his old one is too unreliable. Underlined clause: Because his old one is too unreliable A.subordinate B.independent
beowulf was written during a. the middle ages. b. the dark ages. c. the renaissance. d. the anglo-saxon period

What is likely the main purpose of providing stage directions in a drama?

Answers

to enhance the entertainment and realism of a performance

Symbols help readers understand the larger themes of a story. One of the major themes of Joyce’s “Araby” is the urge to escape the monotony of daily life. Which symbol in the story contributes most to this theme, and why?the bazaar because it represents the inaccessible land of freedom to the narrator

Mangan’s sister because she represents domesticity and routine to the narrator

the marketplace because it represents the suburban lifestyle to the narrator

the church because it represents spiritual healing and renewal to the narrator

Answers

  The right answer is A.  

  In "Araby", the narrator who is in love for Mangan's sister, wants to go to the Baazar in Araby to bring some gift for his loved one, who couldn't come to it for there was a week in retreat at the convent. He feels that each day is monotonous when waiting for the Baazar, and it represents the first time as an independent person, as he will go alone to it (a glimpse of the adult life). Both the qualities of the girl and the baazar are the childish imaginative construct of the boy, the latter seen as a fantastic place (the inaccessible land of freedom). When the narrator finally arrives to the Bazaar, he his confronted with the reality and the disappointment, which can mean the lost of his innocence.

the first one.
  

the bazaar because it represents the inaccessible land of freedom to the narrator

Grange evolve the ____________. A. Democratic Party B. Greenback Party C. Republican Party D. Populist Party E. Federalist Party

Answers

Grange evolve the Populist Party. The correct option among all the options that are given in the question is the fourth option or option "D". The other choices given in the question are incorrect and so can be easily neglected. I hope that this is the answer that has actually come to your desired help.

Don juan comments upon the hypocrisies and pretensions of the world. true or false

Answers

It is true that Don Juan comments upon the hypocrisies and pretensions of the world. People make rules to make everyone’s life easier however these rules becomes so rigid and traditional that it make people pretend and become hypocrite, therefore making their life easier.

What allows the audience to understand where the scene takes place?

Answers

 the answer is Dramatic convention. please make my answer the brainliest

What, if any, variations from the standard English pronunciation or accent do you hear in your regional dialect? Does your family share the dialect of the speakers from your region?

Answers

My family’s accent is different from that of most speakers from my region.

The speakers from my region sound very similar to the people in my neighborhood.

It was difficult to identify variations from standard English in my own region’s dialect.

My region’s dialect is distinct, and I could identify variations in pronunciation and accent.

Answer:

first one is also correct

My family’s accent is different from that of most speakers from my region.

The speakers from my region sound very similar to the people in my neighborhood.

It was difficult to identify variations from standard English in my own region’s dialect.

My region’s dialect is distinct, and I could identify variations in pronunciation and accent.

Explanation:
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