a is the answer i just took the test
b. A print in white on a blue ground, often used for copying maps, or architects plans.
c. A devise used to capture an image of a moment in time.
d. An inverted image transferred for a light-sensitive metal plate onto film.
A photograph can be defined as the image that is created by light falling on a light sensitive surface, usually film.
A photo graph can be defined as the image that is known to be created due to the fact that light has fallen on a surface. That is the surface that the light would have to fall on would be a photo sensitive surface.
The light would also have to fall on a photo graphic films as well as an electronic sensor.
The purpose of photography can be determined based on the function that the person that is capturing wants to use it for.
It may be for the sake of documentary or it could be due to the fact that the person that is snapping wants to make use of the images for the sake of research or for aesthetic values. Hence the definition of photograph can be seen in the first definition that we have here.
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Answer:
a. An image created by light falling on a light sensitive surface, usually film.
Explanation:
Answer:
Explanation:
In Freud's psychoanalytic theory, the term "superego" refers to a component of the human psyche that can be thought of as similar to a person's conscience or moral compass. The superego is one of the three major components of the mind, according to Freud's structural model, which also includes the id and the ego.
Here's a brief explanation of each component:
Id: The id represents the primitive and instinctual part of the mind. It operates on the pleasure principle, seeking immediate gratification of desires and needs.
Ego: The ego is the part of the mind that deals with reality and reason. It balances the conflicting demands of the id and the superego, seeking to satisfy desires in a socially acceptable way.
Superego: The superego represents the internalized moral standards and values of society, as well as an individual's own sense of right and wrong. It acts as a regulator of behavior, imposing moral and ethical constraints on the id's impulses.
So, the superego can be seen as similar to a person's conscience because it guides individuals toward making morally and socially acceptable choices by internalizing societal norms and values. It serves as a source of guilt and shame when one's actions conflict with these moral standards.
silkscreen printing
c.
typography
b.
serigraphy
d.
lithography
An example of lithography is the form of printing that involved usage of a stone press on which areas are made receptive to ink.
A lithography refers to a form of printmaking where the design is drawn onto a flat stone
Hence, the example of lithography is the form of printing that involved usage of a stone press on which areas are made receptive to ink.
Therefore, the Option D is correct.
Read more about lithography
Answer:
Paul Cezanne
Explanation:
Pablo Picasso considered Cezanne a "hovering mother", Henri Matisse as a "father to us all". Cezanne's reduction of the visible world into basic and underlying forms, the faceted brushstrokes that seem to reconstruct nature through purely pictorial forms, fracture, and flattening of space - can all be seen as the beginning of modern art.
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Answer:
Claude Debussy was a famed composer from the early 20th century and was know as the first impressionist composer. in 1873 he entered the Paris Conservatory, and in 1884, he won the Grand Prix de Rome with his cantata L’Enfant prodigue (The Prodigal Child). His early style is well illustrated in one of Debussy’s best-known compositions, Clair de lune. Debussy’s illegitimate daughter, Claude-Emma, was born in 1905. He had divorced Lily Texier in 1904 and then married his daughter’s mother, Emma Bardac. Ashamed by the gossip and scandal coming from this situation, he sought rescue for a time at Eastbourne, on the south coast of England. He wrote the piano suite Children’s Corner (1908) for his daughter, nicknamed Chouchou). His formulation of the “21-note scale” was designed to “drown” the sense of tonality. In his last works, the piano pieces En blanc et noir, (1915; In Black and White) and in the Douze Études (1915; “Twelve Études”), Debussy moved into forms of composition that would later be developed in the styles of Stravinsky and the Hungarian composer Béla Bartók.