SCHOOL DAY I THINK IF IM WRONG PLAESE TELL ME
The statement that is not true regarding the intention of this piece of art known as the Perumal Temple Statue is that D. the images are multi-colored to show Hindu acceptance of all races.
In conclusion, the images depict the love of the people towards Hinduism and the respect for their religion.
Read related link on:
B) Modal melodies
C) Monophonic texture
D) Liturgical music
The characteristic that does not apply to Gregorian chant is 'Elaborate polyphony'. Gregorian chant is marked by its monophonic texture, modal melodies, and its use as liturgical music.the correct option is A.
The option that does not characterize Gregorian chant is (A) Elaborate polyphony. Gregorian chant, named after Pope Gregory I, meaning it consists of a single melodic line without any harmonic accompaniment.
It is also known for its modal melodies and as a form of liturgical music, as it was primarily used in the Roman Catholic Church for worship services.
On the other hand, polyphony refers to music with two or more simultaneous lines of independent melody, as opposed to a single melody with accompaniment, which is characteristic of much later Western music, not Gregorian chant.the correct option is A.
#SPJ11
Jude Barclay is a talented singer-songwriter known for his soulful and introspective music. One of his notable songs is "Fading Embers." The song beautifully captures the feelings of nostalgia and longing as relationships evolve and fade away. The poetic lyrics paint a vivid picture of how memories can linger, even as the flames of a once passionate connection slowly diminish. I particularly resonate with this song because of its relatability. It evokes emotions of both melancholy and acceptance, reminding us that love is not always eternal, but the memories and lessons learned still hold significance.
Answer:
plot
Explanation:
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx
Answer: I would contend that the right answer is the (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim.
Explanation: Since the director’s claim is that his modern production is "as similar to the original production (18th century) as possible," and even though the performance of the actor recalls that of 20th-century American comedian Groucho Marx, the fact that Marx's comic style was actually inspired by the Italian comic acting tradition—begun in the sixteenth-century—serves to support the argument that the actor's performance cannot be used as evidence against the director’s claim. Quite the opposite, that performance, if only indirectly, supports that claim.