The set of preliminary drawings or sketches that are used to plan or outline an animated film is define as production. It is anything that is used in the creation of an animated film, TV shors, feature, etc. However, some collectors dfine Production more narrowly; as art that appeared on screen usin “Pre-Production” to serve as an indication of all the art that came before that.
Answer: Storyboard
Explanation:
Storyboards outlining the sequence of shots or scenes in a movie are created…
Should photographers take into consideration how the subject of the photograph wants to be seen? Why or why not?
What does he mean by this?
What Halsman most likely means is that when making a portrait, the artist can be concerned about making the subject look the way the subject considers to be best. A person posing for a portrait might not be comfortable if the portrait does not reflect them as they think they really are, or even if it does not reflect them as "attractive." Because of this, the subject might have a problem looking unattractive in a portrait, and this might push the artist to try to please him or her.
Should photographers take into consideration how the subject of the photograph wants to be seen? Why or why not?
Although some inspiration might arise from the considerations of the subject of the photograph, ultimately the responsibility of portraying the subject in a particular way falls on the artist. It is the artist's ultimate right to be true to his art, regardless of the feelings that this causes on the subject.
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx
Answer: I would contend that the right answer is the (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim.
Explanation: Since the director’s claim is that his modern production is "as similar to the original production (18th century) as possible," and even though the performance of the actor recalls that of 20th-century American comedian Groucho Marx, the fact that Marx's comic style was actually inspired by the Italian comic acting tradition—begun in the sixteenth-century—serves to support the argument that the actor's performance cannot be used as evidence against the director’s claim. Quite the opposite, that performance, if only indirectly, supports that claim.
b. PHOTOMACROGRAPH
c. PHOTOSPECTROGRAPH
d. PHOTOSPECTROPHOTOGRAPH
Explanation:
I cant really see the Vougue cover so could you provide a picture?
c. typography
b. serigraphy
d. lithography
Answer:
D. Lithography