The answer would be Sydney which then lies in 690 km or 425 up to 430 miles located northeast of Melbourne. There then lies the Sydney Opera House that would feature the shell life roofs. Hope this is the answer and would be of help.
The Sydney Opera House. It is a multi-venue performing arts centre in Sydney, New South Wales, Australia. It is one of the 20th century's most famous and distinctive buildings.
The device responsible for performing the fetch-execute cycle is the CPU.
Each step of the fetch-execute cycle is performed for each instruction. Fetch refers to saving output to the hard drive.
The fetch-execute cycle is only carried out when a user types in input.
Answer:
1. The order of steps in the fetch-execute cycle is fetch-decode-execute-store.
2. The device responsible for performing the fetch-execute cycle is the CPU.
3. Each step of the fetch-execute cycle is performed for each instruction.
Explanation:
I just took the quiz, hope this helps.
The fetch-execute cycle is a process performed by the CPU to retrieve, interpret, and execute instructions from memory. The steps in the cycle are fetch, decode, execute, and store. Each step is not performed for each instruction, and the cycle is not dependent on user input.
The fetch-execute cycle is a fundamental process in computer architecture where the CPU retrieves, interprets, and executes instructions from memory. It consists of four steps: fetch, decode, execute, and store. The order of these steps is fetch-decode-execute-store, making the statement true. Additionally, the CPU is responsible for performing the fetch-execute cycle, so the statement is also true. However, each step of the fetch-execute cycle is not performed for each instruction, so the statement is false. Fetch refers to retrieving instructions from memory, not saving output to the hard drive, so the statement is false. Lastly, the fetch-execute cycle is not dependent on user input, so the statement is false.
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Answer:
nature
Explanation:
The primitive art is art that has reflected the nature. The early humans that made this type of art were limited in lot of things, such as spare time and wider geographic knowledge. Their lives were based almost entirely around survival, and that meant hunting, gathering, and protection. In the little time they had, they used the cave walls in which they lived to illustrate some of their reality. They managed to use some of the natural colors, as well as the charcoal as their tools for painting, and they were depicting their surroundings and the creatures in them.
(A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play
(B) Groucho Marx once performed the part of the character Harlequin in La Finestrina
(C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim
(E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx
Answer: I would contend that the right answer is the (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director’s claim.
Explanation: Since the director’s claim is that his modern production is "as similar to the original production (18th century) as possible," and even though the performance of the actor recalls that of 20th-century American comedian Groucho Marx, the fact that Marx's comic style was actually inspired by the Italian comic acting tradition—begun in the sixteenth-century—serves to support the argument that the actor's performance cannot be used as evidence against the director’s claim. Quite the opposite, that performance, if only indirectly, supports that claim.