Answer:
Saxe and her colleagues performed an experiment on the morals and social media habits of individuals. They did this by testing a part of the brain that thinks strictly about yourself. During this experiment they learned that some individuals brainsdid not work as hard as the other individuals.
Explanation:
Which of these statements is conditional?
C) If we support Brian for class president, then we will have a great year
Why C?
Conditional mood refers to statements that are hypothetical (possible). hey desrcibe the potential outcome or result of a certain event or situation. Thy start a condition.
Hope this helps ^-^
Which of these statements is conditional?
A) We should listen to the debate before voting on class president.
B) Shouldn't we support Sheena instead of Bryan for class president?
C) If we support Brian for class president, then we will have a great year
D) If Sheena were not in the race, Bryan would have no serious competition.
Answer:
Personification 100000%
Explanation:
Because the wind and the stream are given human characteristics although they are not alive!!!
Answer:
Several key mistakes contributed to the spread of the great fire and stopped it from being put out.
May still seem love to me, though altered new;
Thy looks with me, thy heart in other place:
For there can live no hatred in thine eye,
Therefore in that I cannot know thy change.
In many's looks, the false heart's history
Is writ in moods, and frowns, and wrinkles strange.
But heaven in thy creation did decree
That in thy face sweet love should ever dwell;
A.She always looks beautiful.
B.She can express her emotions very well.
C.She can conceal her love very well.
D.She can conceal her moods completely.
Question: What distinct quality does the speaker attribute to his beloved’s face in this excerpt from William Shakespeare’s Sonnet 93?
...so love's face
May still seem love to me, though altered new;
Thy looks with me, thy heart in other place:
For there can live no hatred in thine eye,
Therefore in that I cannot know thy change.
In many's looks, the false heart's history
Is writ in moods, and frowns, and wrinkles strange.
But heaven in thy creation did decree
That in thy face sweet love should ever dwell;
Options:
Answer: The correct answer is option: D) She can conceal her moods completely.
Explanation: The speaker mentions that his beloved's face will still show that she loves him, even though she doesn't and her looks will stay the same, but her heart will be somewhere else. He expresses that her face could never have a hateful expression. He also mentions that many people express their unfaithfulness in their faces—in moody looks and frowns and strange wrinkles but when heaven created her, it decided that her face would always express sweet love.
The correct option is D.
In the except given above, the speaker in the poem is talking about his beloved's face. He says that his beloved face may still show him that she love him even though she does not. Her looks will reassure him even though her heart is somewhere else. He said he would never be able to tell the difference because his beloved face does not show hatred. Many people feelings can be known by their moods and frowns but not that of his beloved.
These lines shows that the said beloved has the ability to conceal her feeling very well. Whether she loves or hate a person, her face always shows sweetness towards that persons, thus her true feeling can not be known from her looks.
(B) aff ect
(C) litote
(D) asyndeton
(E) anaphora
Passage 3. William Shakespeare, Hamlet
Queen. Good Hamlet, cast thy nighted colour off ,
And let thine eye look like a friend on Denmark.
Do not for ever with thy vailed lids
Seek for thy noble father in the dust:
Th ou know’st ’tis common, —all that lives must die,
Passing through nature to eternity.
Hamlet. Ay, madam, it is common.
Queen. If it be,
Why seems it so particular with thee?
Hamlet. Seems, madam! Nay, it is; I know not seems.
’Tis not alone my inky cloak, good mother,
Nor customary suits of solemn black,
Nor windy suspiration of forc’d breath,
No, nor the fruitful river in the eye,
Nor the dejected ’havior of the visage,
Together with all forms, moods, shows of grief,
Th at can denote me truly: these, indeed, seem;
For they are actions that a man might play;
But I have that within which passeth show;
Th ese but the trappings and the suits of woe.
King. ’Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father;
But, you must know, your father lost a father;
Th at father lost, lost his; and the survivor bound,
In fi lial obligation, for some term
To do obsequious sorrow: but to persevere
In obstinate condolement is a course
Of impious stubbornness; ’tis unmanly grief;
It shows a will most incorrect to heaven;
A heart unfortifi ed, a mind impatient;
An understanding simple and unschool’d;
For what we know must be, and is as common
As any the most vulgar thing to sense,
Why should we, in our peevish opposition,
Take it to heart? Fie! ’tis a fault to heaven,
A fault against the dead, a fault to nature,
To reason most absurd; whose common theme
Is death of fathers, and who still hath cried,
From the fi rst corse till he that died to-day,
‘Th is must be so.’ We pray you, throw to earth
Th is unprevailing woe; and think of us
As of a father: for let the world take note
You are the most immediate to our throne;
And with no less nobility of love
Th an that which dearest father bears his son
Do I impart toward you. For your intent
In going back to school in Wittenberg,
It is most retrograde to our desire:
And we beseech you bend you to remain
Here in the cheer and comfort of our eye,
Our chiefest courtier, cousin, and our son.